Tina Girouard (1946 – 2020) has an exhibition history that includes a 1983 mid-career retrospective mounted at the Rufino Tamayo Museum in Mexico City, and international events such as the 1980 Venice Biennale, the 1977 Paris Biennale, 1977 Documenta VI and 1972 Documenta V, Kassel. Girouard’s work has been exhibited widely at galleries and museums including: Leo Castelli Gallery, The Kitchen, Walker Art Center, New Orleans Museum of Art, Museum of Contemporary Art Chicago, Palais des Beaux-Arts Brussels, Holly Solomon Gallery, David Zwirner, the Museum of Contemporary Art Los Angeles, and the New Museum. Her work was recently on view in the exhibition With Pleasure: Pattern and Decoration in American Art 1972 – 1985 curated by Anna Katz, originating at MOCA Los Angeles, which travelled to the Hessel Museum of Art, Bard College, NY. Girouard’s work is in the permanent collections of the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Ludwig Forum fur International Kunst Aachen, DE; Rufino Tamayo Museum, Mexico City, Mexico; and Stedelijk Museum Actuele Kunst, Gent, Belgium.

Tina Girouard A Few, 1981, Dilworth Plaza City Hall, Philadelphia, PA
About
Images


Tina Girouard
Veritable, 1991
Sequins and beads on fabric
36 x 36 inches / 91.4 x 91.4 cm
Veritable, 1991
Sequins and beads on fabric
36 x 36 inches / 91.4 x 91.4 cm

Performance documentation of Tina Girouard North East / South West, 1977, performed at Documenta 6, Kassel Germany

Tina Girouard Bondye Between and Beyond, 2019, New Orleans Museum of Art, Installation view

Tina Girouard
Toussaint, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
Toussaint, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm

Tina Girouard
Legba, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
Legba, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm

Tina Girouard
Demande Permission Erzulie, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
Demande Permission Erzulie, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm

Performance documentation of Tina Girouard Lie No, 1973
Performed at 112 Greene Street, for Group Exhibition: September 1 - October 18, 1973
Photographer is unknown.
Image courtesy the artist and Anat Ebgi. © Tina Girouard / Artists Rights Society (ARS), New York.
Performed at 112 Greene Street, for Group Exhibition: September 1 - October 18, 1973
Photographer is unknown.
Image courtesy the artist and Anat Ebgi. © Tina Girouard / Artists Rights Society (ARS), New York.

Tina Girouard Air Space Stage, 1972
Installation view, Pattern and Decoration: Ornament as Promise, 2019, Mumok, Vienna, Austria
Installation view, Pattern and Decoration: Ornament as Promise, 2019, Mumok, Vienna, Austria

Tina Girouard Sky Above, Earth Below, 1974
Installation at MoMA Clocktower.
Installation at MoMA Clocktower.

Tina Girouard, Costume from the Mardi Gras Suite, 1974
The Kitchen, NYC
The Kitchen, NYC

Tina Girouard Wall’s Wallpaper I, 1974
Mixed media, framed
36 x 29 inches / 91.4 x 73.7 cm
Mixed media, framed
36 x 29 inches / 91.4 x 73.7 cm

Tina Girouard
Veranda, 1979
Brooms, curtains, fire ladder, bug lights
Veranda, 1979
Brooms, curtains, fire ladder, bug lights

Tina Girouard, Pinwheel, 1977
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana

Tina Girouard Swept House, 1971
Documentation from the Brooklyn Bridge Event
Documentation from the Brooklyn Bridge Event

Tina Girouard, left, with Carol Goodden and Gordon Matta-Clark in front of Food, their artist-run restaurant at the corner of Prince and Wooster Streets in SoHo, 1971
Photo credit: Richard Landry, alteration by Gordon Matta-Clark, via David Zwirner, New York
Photo credit: Richard Landry, alteration by Gordon Matta-Clark, via David Zwirner, New York

Tina Girouard Test Pattern Sequence II, 1974
Art stick on velum
8 x 8 inches / 20.3 x 20.3 cm
Art stick on velum
8 x 8 inches / 20.3 x 20.3 cm

Performance documentation of Tina Girouard Mass-Transit: Stosz Zeit, 1978, performed at Landhaushof, Graz, Austria for the Internationales Performance Festival

Tina Girouard Elephant Ear #2, 2001
Sequins and beads on fabric
44 x 25 inches / 111.8 x 63.5 cm
Sequins and beads on fabric
44 x 25 inches / 111.8 x 63.5 cm

Tina Girouard, Pinwheel, 1977
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana

Tina Girouard, Pinwheel, 1977
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana

Tina Girouard, Pinwheel, 1977
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana
Documentation of original performance at New Orleans Museum of Art for the exhibition Five From Louisiana

Tina Girouard
Voyeur, 1992
Detail
Voyeur, 1992
Detail

Tina Girouard
Voyeur, 1992
Hand sewn glass beads, sequins, acrylic and other media on canvas
24.5 x 32 inches / 62.2 x 81.3 cm
Voyeur, 1992
Hand sewn glass beads, sequins, acrylic and other media on canvas
24.5 x 32 inches / 62.2 x 81.3 cm

Tina Girouard
Pink Floral (Lillypad), Undated (1990s)
Sequins and beads on fabric
33.5 x 35 inches / 85.1 x 88.9 cm
Pink Floral (Lillypad), Undated (1990s)
Sequins and beads on fabric
33.5 x 35 inches / 85.1 x 88.9 cm

Tina Girouard
Lizagator, c. 1990-95
Detail
Lizagator, c. 1990-95
Detail

Tina Girouard
Lizagator, c. 1990-95
Sequins and beads on fabric
33 ¹⁄₂ x 34 inches / 85.1 x 86.4 cm
Lizagator, c. 1990-95
Sequins and beads on fabric
33 ¹⁄₂ x 34 inches / 85.1 x 86.4 cm

Tina Girouard
Hibiscus, 1995
Sequins and beads on fabric
35 x 36 inches / 88.9 x 91.4 cm
Hibiscus, 1995
Sequins and beads on fabric
35 x 36 inches / 88.9 x 91.4 cm

Tina Girouard
Granbois, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
Granbois, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm

Tina Girouard A Place That Has No Name: Early Years, 2020, Anat Ebgi, Installation view
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard A Place That Has No Name: Early Years, 2020, Anat Ebgi, Installation view
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard A Place That Has No Name: Early Years, 2020, Anat Ebgi, Installation view
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard A Place That Has No Name: Early Years, 2020, Anat Ebgi, Installation view
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Goat for Gede, 1992
Hand sewn glass beads, sequins, acrylic and other media on canvas
23 x 35 inches / 58.4 x 88.9 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Goat for Gede, 1992
Hand sewn glass beads, sequins, acrylic and other media on canvas
23 x 35 inches / 58.4 x 88.9 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Ogou, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Ogou, 1991
Hand sewn glass beads, sequins, acrylic and other media on canvas
72 x 43 inches / 182.9 x 109.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Screen 4, c.1974-75
Mixed Media on fabric
72 x 72 inches / 182.9 x 182.9 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Screen 4, c.1974-75
Mixed Media on fabric
72 x 72 inches / 182.9 x 182.9 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Pinwheel, 1977
Performance, Duration 60 minutes
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Pinwheel, 1977
Performance, Duration 60 minutes
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Walls Wallpaper, 1971
Wallpaper and fabric, framed
38.5 x 36.5 inches / 97.8 x 92.7 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Walls Wallpaper, 1971
Wallpaper and fabric, framed
38.5 x 36.5 inches / 97.8 x 92.7 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Air Space Stage, 1972
Solomon's Lot fabrics
144 x 144 inches / 365.8 x 365.8 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Air Space Stage, 1972
Solomon's Lot fabrics
144 x 144 inches / 365.8 x 365.8 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
13 Test Pattern Sequence, 1974
Art stick on velum, framed
14.25 x 14.25 inches / 36.2 x 36.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
13 Test Pattern Sequence, 1974
Art stick on velum, framed
14.25 x 14.25 inches / 36.2 x 36.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Untitled (Spotted Blue Frog), 1973
Fabric collage mounted on paper, framed
20 x 22.5 inches / 50.8 x 57.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Untitled (Spotted Blue Frog), 1973
Fabric collage mounted on paper, framed
20 x 22.5 inches / 50.8 x 57.2 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
13 Test Pattern Sequence, 1974
Artstick on vellum, framed
Sheet: 8 x 8 inches / 20.3 x 20.3 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
13 Test Pattern Sequence, 1974
Artstick on vellum, framed
Sheet: 8 x 8 inches / 20.3 x 20.3 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.

Tina Girouard
Orion and Koko, Undated (1990s)
Sequins and beads on fabric
20.5 x 20.5 inches / 52.1 x 52.1 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Orion and Koko, Undated (1990s)
Sequins and beads on fabric
20.5 x 20.5 inches / 52.1 x 52.1 cm
© Estate of Tina Girouard, Artists Rights Society (ARS), New York.
Exhibitions

Good Company: The Remix

Good Company: Pt. 1

Staycation

Tina Girouard: A Place That Has No Name
CV
Tina Girouard
- 1946
- Born in De Quincey, LA
- Lived and worked in Cecilia, LA
- 2020
- Died in Cecilia, LA
Education
- 1968
- BFA, University of Southwestern Louisiana, Lafayette, LA
Solo Exhibitions
- 2020
- Tina Girouard - A Place That Has No Name: Early Works, Anat Ebgi, Los Angeles, CA
- 2019
- Tina Girouard: Pinwheel, Art Basel Miami Beach, with Anat Ebgi, Miami, FL
- Bondye: Between and Beyond, New Orleans Museum of Art (NOMA), New Orleans, LA
- 2018
- Tina Girouard: Parts Known and Unknown, Acadiana Center for the Arts, LaFayette, LA
- Tina Girouard - American Responses: Home, Salomon Contemporary, New York, NY
- 2004
- Tina Girouard, CUE Art Foundation, New York City, NY
- 1983
- Arthur Rogers Gallery, New Orleans, LA
- 1982
- Remoat/Remote Installation, De Vleeshal, Middleburg, Netherlands
- 1983
- Vamonos a México con Tina Girouard, Muséo Rufino Tamayo Arte Contemporaneo Internacional, México, D.F.
- 1982
- Conflicting Evidence, Zeeuws Kunstenaarscentrum, Middleburg, Netherlands
- Tina Girouard: Paintings, Prints and Drawings, Elmhurst Park Gallery, Lafayette, LA
- 1980
- Holly Solomon Gallery, New York, NY
- Works on Fabric and Paper, Holly Solomon Editions, New York, NY
- Street Sights, Institute of Contemporary Art, University of Pennseylvania, Philadelphia, PA
- 1979
- Even-Odd, window installation, Forum Stadpark, Graz, Austria
- Gallery Alexandra Monett, Brussels, Belgium
- 1978
- Revival, The Clocktower (Institute for Art and Urban Resources), New York, NY
- Metal, Holly Solomon Gallery, New York, NY
- War Play Work Rest, Holly Solomon Gallery, New York, NY
- 1976
- Video Installation, Anthology Film Archives, New York, NY
- Stencil Sets, Holly Solomon Gallery, New York, NY
- 1975
- Drawings for Video (with Richard Landry), 112 Greene Street, NY
- Drawings, Scores, Histories, Vehicle Art Inc., Montreal, Canada
- Color Photos and Video, Media Gallery, Alfred, NY
- Memphis Breeze, Memphis Academy of Arts, Memphis, TN
- Flags, 112 Greene Street, New York, NY
- 1974
- Sky Above Earth Below, Saint Cloud State Gollege, Saint Cloud, MN
- 1973
- Lay on Lie-No, University Gallery, Lafayette, LA
- Patterns, 112 Greene Street, New York, NY
- 1972
- Air Space State, Floor Space Stage, Sound Space Stage, 112 Greene Street, New York, NY
- 1971
- Hung House Installation, 112 Greene Street, New York, NY
- 1968
- University of Southwestern Louisiana, Lafayette, LA
Selected Group Exhibitions
- 2022
- Fire, Figure, Fantasy, Institute of Contemporary Art Miami, Miami, FL
- 2020
- Good Company: Pt. 1, Anat Ebgi, Los Angeles, CA
- Garden of Time: Textiles as Nature Poem, Mendes Wood DM, São Paulo, BR
- Videotapes. Early Video Art (1965-76), National Gallery of Art, Warsaw, Poland
- 2019-2020
- Pattern & Decoration: Ornament as Promise, travelling exhibition: Ludwig Museum, Budapest, Hungary; museum moderner kunst stiftung ludwig wien, Vienna, Austria; Ludwig Forum Aachen, Germany
- 2019
- With Pleasure: Pattern and Decoration in American Art 1972–1985, MoCA, Los Angeles, CA
- Pattern, Crime & Decoration, travelling exhibition: Le Consortium, Dijon, France; Musée d'Art Moderne et Contemporain, Geneva, Switzerland
- 2017
- Artist Run New York: The Seventies, Jean-Paul Najar Foundation, Dubai, UAE
- 2014
- Horray for Hollywood, Mixed Greens Gallery, New York City, NY
- 2013
- FOOD 1971/2013 - A tribute to Food Restaurant with Carol Goodden & Tina Girouard, Frieze Art Fair, New York, NY
- Gordon Matta-Clark: Gordon Matta-Clark, Suzanne Harris, Tina Girouard: The 112 Greene Street Years, Rhona Hoffman Gallery, Chicago, IL
- 2011
- Patterns and Prototypes: Tina Girouard & Robert Gordy, curated by Dan Cameron, Contemporary Arts Center, New Orleans, LA
- 112 Greene Street, The Early Years: 1970-1974, David Zwirner, New York, NY
- 1983
- Drive-In Disco (installation in collaboration with Richard Landry), New Orleans Contemporary Art Center, New Orleans, LA
- 1981
- Alternatives in Retrospect, New Museum of Contemporary Art, New York City, NY
- Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, OH
- Inner/Urban, First Street Forum, St. Louis, MO
- The Decoration Image, McIntosh/Drysdale Gallery, Washington, D.C.
- 1980
- Drawings: The Pluralist Decade, Institute of Contemporary Art University of Pennsylvania, Philadelphia, PA
- Fabric into Art, Amelie A. Wallace Gallery, S.U.N.Y. College at Old Westbury, New York, NY
- Decoration, San Francisco Art Institute, San Francisco, CA
- A Decade of Women's Performance Art, Contemporary Arts Center, New Orleans, LA
- Dekor, Manheimer, Kunstverein, Mannheim, Germany; Amerika Haus, Berlin, Germany; Museum of Modern Art, Oxford, England
- Les Nouveaux Fauves—Die Neuen Wilden, Neue Galerie/Sammlung Ludwig, Aachen, Germany
- Greenberg Gallery, St. Louis, MO
- 1979
- Pattern Painting/Decoration Art, Galerie Krinzinger, Innsbruck, Austria; Galerie Modern Art, Vienna, Austria
- Clothing Constructions, Los Angeles Institute of Contemporary Art, Los Angeles, CA
- Patterns +, Dayton Art Institute, Dayton, OH
- Patterning and Decoration on Paper, The Mayor Gallery, London; Galerie Habermann, Cologne, Germany
- Patterning, Palais des Beaux Arts, Brussels, Belgium
- Patterning, Palais des Beaux Arts, Brussels
- 1978
- Painting and Sculpture Today 1978, Indianapolis Museum of Art, Indianapolis, IN
- Preview (Part of Gallery Opening Installation), Wade Gallery, Washington, D.C.
- Surrogates/Self-Portraits, Holly Solomon Gallery, New York, NY
- 1977
- Five From Louisiana, New Orleans Museum of Art, New Orleans, LA
- Pattern Painting, Institute for Art and Urban Resources at P.S.1, Long Island City, New York, NY
- Art Works on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
- Artist's Sets and Costumes, Philadelphia College of Art, Philadelphia, PA
- Projects of the Seventies, P.S.1, New York, NY
- 1976
- Purchase Show, Art Museum of South Texas, Corpus Christi, TX
- Self-Portraits, Fine Arts Building, New York, NY
- Non-Collectible Art from the Collection of Holly and Horace Solomon, Sarah Lawrence College Art Gallery, Bronxville, New York, NY; St. Lawrence University, Canton, New York, NY; Williams College, Williamstown, MA
- Performances/Objects, Holly Solomon Gallery, New York, NY
- New Work/New York, California State University, Los Angeles, CA
- Rooms, P.S.1, New York, NY
- Style and Process, Fine Arts Building, New York, NY
- 1974
- Group Show, Holly Solomon Gallery, New York, NY
- Anarchitecture, 112 Greene Street, New York, NY
- Works Words, The Clocktower, New York, NY
- Video Works, Leo Castelli Gallery, New York, NY
- 1973
- Lie-No, 112 Greene Street, New York, NY
- Dissolve, New York Cultural Center, New York, NY
- 1972
- Oleo, 112 Greene Street, New York, NY
- 1970
- Swept House, Brooklyn Bridge Event, New York, NY
- 1969
- Special Effects, Loveladies, New Jersey
Special Projects and Performances
- 2018
- 'Mardi Gras Suites and Quartets' 1974/2018, Acadiana Center for the Arts, LaFayette, LA
- 1981
- Other Realities—Installations for Performance (Performance 2C3TS), Contemporary Arts Museum, Houston, TX
- 1980
- A Few, Dilworth Plaza, City Hall, Philadelphia, PA
- 1979
- YAYA, Zagreb, Yugoslavia
- W.A.W.A. (Worker Aristocrat Witness Ancient), Palais des Beaux-Arts, Brussels, Belgium
- 1978
- Beached (with Creative Time Inc.), Battery City Landfill, New York, NY
- Mass Transit Strosz-Zeit, Graz, Austria
- Wedding is Black and White, Internationales Performance Festival, Vienna, Austria
- Spread, Museum of Contemporary Art, Chicago, IL
- 1977
- Petite Passe Partout, Grand Passe Partout, Paris Biennale '77, Paris, France
- Pinwheel, New Orleans Museum of Art, New Orleans, LA
- Soutwest-Northeast, Documenta '77, Kassel, Germany
- Visions (Sponsored by Creative Time Inc.), Old Customs House, New York, NY
- 1976
- Race, Fordham University, New York, NY
- Swiss Self, Salle Simon I Patino Centre d'Art Contemporain, Geneva, Switzerland
- Bowl and Belly, Sarah Lawrence College Art Gallery, Bronxville, NY
- 1975
- Mississippi Memphis Moon, Overton Park Amphitheatre, Memphis, TN
- Persona Projections for a Proscenium, Fosdick-Nelson Gallery, Alfred, NY
- 1974
- Video Tapes, The Kitchen, New York, NY
- Stage (a functioning sculpture for the Mabou Mines' production of B Beaver) Walker Art Center, Minneapolis, MN; Theater for the New City, New York, NY
- Juxtaposed Contained Revealed, The Kitchen, New York, NY
- Saint Cloud Air Space Stage, Saint Cloud State College, Saint Cloud, MN
- 1973
- The Bridge (collaboration with Barbara Dilley), Cross, Invocation, Lafayette, LA
- Allegory: Cloth River Road, Dance Gallery, New York, NY
- 1972
- Proszenium II, Documenta V, Kassel, Germany
- Proszenium I, Stadt Köln Kammerspiele, Köln, Germany
- Autumnal Equinox, 112 Greene Street, New York, NY
- Air Space Stage, Wall Space Stage, Sound Space Stage, Floor Space Stage, 112 Greene Street, New York, NY
- Body Beat Loop, 20 Quadrophonic Pipe, Bleeker Street Project, New York, NY
- 1971-72
- Tape-Video-Live, Leo Castelli Gallery, New York, NY
- Food, 127 Prince Street, New York, NY
- 1971
- Live House, 112 Greene Street, New York, NY
- 1970-71
- Hung House, a maintained environmental structure, New York, NY
- 1970
- Collaborative Performances with Richard Landry and Keith Sonnier, University of California at La Jolla, La Jolla, CA
- 1969-70
- Video Loop, Sound Loop, Body Beat Loop (Time and Distance) Studio Performances, New York, NY
Selected Bibliography and Press
- 2020
- Noor, Tausif. "Review: Tina Girouard." Artforum. July/August [Print] (Link)
- Moldan, Tessa. "Tina Girouard's Elevated Patterns." Ocula. July 31, 2020. (Link)
- 2019
- Knight, Christopher. "More is more. Why the ‘Pattern and Decoration’ show at MOCA is pure pleasure." Los Angeles Times (November 4, 2019) (Link)
- Is Bigger Better? Art Basel Miami Beach Tests the Waters with Meridians." Cultured Magazine (December 2019) (Link)
- Cascone, Sarah. "Art Basel Miami Beach’s New ‘Meridians’ Section, Where the Fair’s Biggest (and Best) Artworks Shine" artnet (December 4, 2019) (Link)
- 2011
- Richard, Frances. "'112 Greene Street: The Early Years (1970-1974)' at David Zwirner." Artforum (March 2011): 262-263 [ill.]
- Plagens, Peter. "True Grit." Art in America (March 2011): 41-42 [ill.]
- Picchi, Francesca. "Gordon Matta-Clark at 112 Greene Street." Domuseb.it (January 27, 2011) [ill.] [online]
- Schjeldahl, Peter. "Proto SoHo: Gordon Matta-Clark and 112 Greene Street." The New Yorker (January 17, 2011): 80-81 [ill.]
- Walsh, Brienne. "Greener Days: Matta-Clark and Alternative Spaces." artinamericamagazine.com (January 11, 2011) [ill.] [online]
- 1981
- Lippard, Lucy R. "Gardens: Some Metaphors for a Public Art," Art in America, vol. 56, no. 3, (November), pp. 136-150
- Silverthorne, Jeanne. "Alternatives in Retrospect: Review," Artforum, vol. 20, no. 1, (October), pp. 78-79
- Crossley, Mimi. "Performers Seek Other Realities," The Houston Post, July 26, pp. AA-10, 15
- 1980
- Radice, Barbara. "Superfici, equipotenziali, piacevoli, dipinte," Modo, (September), pp. 60-64
- 1979
- Olejarz, Harold. "Review," Arts Magazine, vol. 53, no. 5, (January), p. 16
- Rickey, Carrie. "Decoration, Ornament, Pattern and Utility: Four Tendencies in Search of a Movement," Flash Art, no. 90-91, (June/July), pp. 18-30
- Perrecault, John. "The New Decorativeness," Portfolio, vol. 1, no. 2, (June/July), pp. 46-50
- Boudaille, Georges. "Pattern Painting," Connaissance des Arts, no. 331, (September), p. 54
- 1978
- Howell, John. "Art Performance: New York," Performing Arts Journal, vol. 1, no. 3, (Winter), p. 28
- 1977
- Rose, Barbara. "The Bayou Bunch," Vogue, vol. 167, no. 1, (January), p. 40
- Lippard, Lucy R. "You Can Go Home Again: Five From Louisiana," Art In America, vol. 64, no. 4, (July/August), pp. 22-25
Awards/Residencies
- 1984
- Grant, Louisiana Department of the Arts, Lafayette, LA
- 1983
- Grants, National Endownment for the Arts
- 1976
- Grants, National Endownment for the Arts
- 1973
- Creative Artists Public Service Program (CAPS) Grant, New York, NY
Collections
- Institute of Contemporary Art Miami, Miami, FL
- Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
- Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
- Ludwig Forum für Internationale Kunst Aachen, Collection of the Peter and Irene Ludwig Foundation, Germany
- Museum of Modern Art, New York City, NY
- Rufino Tamayo Museum, Mexico City, Mexico
- Stedelijk Museum voor Actuele Kunst, S.M.A.K., Gent, BE