Dallas Art Fair, 2024, Anat Ebgi, Installation view
Participating Artists
Images
Sibyl, 2023
Golddigger I, 2023
Even Cowgirls Get the Blues Trying to Catch the Wind, 2024
Homage to the Square with Bubble Wrap and Packing Tape, 2023
Muscle Worship - Big Pecs, 2023
In the Flow, 2023-2024
Bedtime, 2024
Oil on canvas
43" x 63" [HxW] (109.22 x 160.02 cm)
Inventory #AFB1000
Chain #2, 2022
White Shirt, 2021
Red Pour, 2024
Butterfly Shrimp, 1985
Untitled, c. 1979
PM07 Arctic Bath, 2023
Love is the Warmest Color, 2023-2024
Sunset Wave, 2023
The Verge by James Lane 1, 2023-2024
A Weather Eye, 2024
Cover, 2023
Net Bag, 2024
The Heatwave, 2023
The Grass is Whispering Even Louder, 2023
The Floral, 2024
Watercolor and charcoal on paper, framed
43 x 56 ¹⁄₄ inches / 109.2 x 142.9 cm
Press
Is Dallas Big Enough for Two Art Fairs?
The Dallas collecting circuit is also unique in the level of value it places on participation “within its ecosystem,” Stefano di Paola, senior director of New York– and Los Angeles–based gallery Anat Ebgi, told ARTnews. “They really like people that are spending the time and actually participating in the Dallas and Texas [art] scene itself. For them it’s really all about the primary experience and the physical connection.” —Daniel Cassady
Art News, April 2024
Best Booths at the 2024 Dallas Art Fair | Anat Ebgi
Krzysztof Strzelecki’s Muscle Worship – Big Pecs (2023) and Tammi Campbell’s Homage to the Square with Bubble Wrap and Packing Tape (2023) couldn’t be more different but have so much in common it’s a treat to see them in dialogue. The former, a gleaming pair of boxing gloves made from glazed ceramic and gold lustre, screams with the intensity of a title bout. In Campbell’s work, colorful squares are overlaid on a canvas surrounded in protective “bubble wrap,” which isn’t bubble wrap at all, but rather hard acrylic the artist made with molds. Despite the radically different subjects the two works both play with tactility, of hard versus soft material, and share the ability to draw in a viewer then confound their sense of tactile reality. —Daniel Cassady
Art News, April 2024Other Editions
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