Jay Stuckey

Primarily working with painting and collage, Jay Stuckey creates compositions of familiar images using representational and abstract elements. The humor and accessibility of Stuckey’s work is counterbalanced by each piece’s hidden intricacy and purpose. Referencing his own subconscious and the confessional nature of Jungian psychoanalysis, Stuckey intends the immediacy of his work to present a line of inquiry and revelation to the viewer instead of imposing ideas. Stuckey intends his works to reveal themselves with subtlety and action, instilling the perseverance of his ongoing process.

Jay Stuckey (b. 1968, Washington, D.C.) lives and works in Los Angeles. Stuckey received his MFA from the School of the Art Institute Chicago, and BFA from Brown University. He has exhibited internationally at venues including The Cedars, Texas; Abel Raum für Neue Kunst, Berlin; Institut Franco-American, Rennes; Eric Firestone Gallery, New York; Palmetto Center for the Arts, San Antonio; Minnesota Street Project, San Francisco; Deutscher Kunstlerbund, Berlin; Blank Projects, Cape Town; Goethe Institute, Johannesburg; Green Papaya Art Projects, Manila; Pøst Gallery, LA, 16:1 Gallery, Santa Monica and Axis Gallery, Sacramento. He is included in the public collections of the Museum of Contemporary Art, Los Angeles, CA and Collection Majudia, Montreal. He has lectured at Brown University, OTIS, and the Jung Institute. Upcoming exhibitions include a solo exhibition with Anna Zorina Gallery, New York.

 

EXHIBITIONS

Suddenly! Curated by Derek Boshier, August 10 – 31, 2020

Bye Jay Stuckey, by Jay Stuckey, March 11 – April 15, 2017

PRIMA MATERIA, September 28 – November 9, 2013

Glad Day, September 3 – October 2, 2011

ALPTRAUM!, April 30 – June 4, 2011

Jay Stuckey

1968
Born in Washington, DC
Lives and works in Los Angeles, CA

Education

1996
MFA, Painting, The School of the Art Institute of Chicago
1990
BA, Art, Brown University, Phi Beta Kappa, Magna Cum Laude

Solo Exhibitions

2019
It's Messy Business, Anna Zorina Gallery, New York, NY
Solo Presentation, The Armory Show, New York, NY
2017
ONO, Shotgun at the Cedars, Dallas, TX
Bye Jay Stuckey, by Jay Stuckey, Anat Ebgi, Los Angeles, CA
2013
PRIMA MATERIA, Anat Ebgi, Los Angeles, CA
2012
New Work, with Anat Ebgi, Art Platform¬–Los Angeles, Los Angeles, CA
2011
New Work, with Anat Ebgi, NADA, Miami, FL
Glad Day, The Company, Los Angeles, CA
2010
New Work, Matrushka, Los Angeles, CA
2008
New Work, Northwest Vista College, San Antonio, TX
2007
Flying Saucer Take Me Away, 16:1 Gallery, Santa Monica, CA
2005
New Work, 16:1 Gallery, Santa Monica, CA
2004
Tora, Tora, Tora, Abel Raum für Neue Kunst, Berlin, DE
Airplanes, Strand On Volta, Washington, DC
2003
Spectrascope, 16:1 Gallery, Santa Monica, CA
2002
New Work, American Intercontinental University, Los Angeles, CA
2001
Big Day, Post Gallery, Los Angeles, CA

Group Exhibitions

2019
The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
2018
Worshipping Sticks and Stones, Anat Ebgi, Los Angeles, CA
2017
Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2016
ARCOmadrid, with Anat Ebgi, Madrid, ES
2015
She Sells Seashells by the Seashore, Eric Firestone Gallery, East Hampton, NY
ges.ture, curated by Carl Berg, arena 1 gallery, Santa Monica, CA
NADA NY, with Anat Ebgi, New York, NY
2013
Dallas Art Fair, with Anat Ebgi, Dallas, TX
Le Fil Rouge, curated by Lucie Fontaine, with Anat Ebgi, ALAC, Los Angeles, CA
2012
Transient Apocalypse, curated by Chris Pate, Irvine Fine Arts Center, Irvine CA
The Bearded Baby, Axis Gallery, Sacramento CA
ALPTRAUM!, curated by Jay Stuckey & Marcus Sendlinger, Transformer, Washington, DC; Cell Project Space, London, UK; Deutscher Kunstlerbund, Berlin, DE; The Company, Los Angeles, CA; Blank Projects, Cape Town, SA; Goethe Institute, Johannesburg, SA; Green Papaya Art Projects, Manila, PH
2011
Irrational Exhibits 8 (musician for Carol Cetrone), Track 16 Gallery, Santa Monica, CA
Into The Trees, Institut Franco-American, Rennes, FR
2010
Psychic Outlaws, Luckman Gallery, Cal State, Los Angeles, CA
Mail Art: The End Of The Earth, Finis Terrae Gallery-PASCA, Pont Aven, FR
This Land Is A Hand Game, Porthole Projects, Santa Fe, NM
2009
Sweet Subversives, Long Beach Museum of Art, Long Beach, CA
Three Person Show, Jancar/McCorkle Projects, Los Angeles, CA
One Week Only, Jancar Gallery, Los Angeles, CA
Big Boys, Andrew Shire Gallery, Los Angeles, CA
2008
Mummify Me, Denver Community Museum, Denver, CO
Betwixt and Between, ACME, Los Angeles, CA
Flatmates, Transformer Gallery, Washington, DC
Inner Battles of the Imaginary Male, Andrew Shire Gallery, Los Angeles, CA
2007
Wall/paper, Transformer Gallery, Washington, DC
Empowerment, Abel Raum für Neue Kunst, Berlin, DE
Faculty Exhibition, Brown University, Providence, RI
2005
Twisted Christmas, BGH Gallery, Santa Monica, CA
Four Years Later, Fe Gallery, Pittsburgh, PA
2004
The Living, The Dead, and The Living Dead, 16:1, Santa Monica, CA
Uncensored Gifts, Mt. San Jacinto College, San Jacinto, CA
Poly Copy, Un Appartment, Paris, FR
Transformers, Transformer Gallery, Washington, DC
Alptraum, Kuche-Kita Atelierhaus, Berlin, DE
Free Wall, Cal Poly University, Pomona, CA
The Gun And Knife Show, Fahrenheit Gallery, Kansas City, MO
Alias, The Bank, Kansas City, MO
Drawn Fictions, The Art Gym, Marylhurst University, OR
2003
Wheeling!, Cell Project Space, London, UK
In My Room, Pasadena City College Art Gallery, Pasadena, CA
Rapt, Fahrenheit Gallery, Kansas City, MO
2002
Irrational Propositions, Post Gallery, Los Angeles, CA
Big Mind, Transformer Gallery, Washington, D.C.
Stray Show, Chicago Art Fair with Post, Chicago, IL
Relative Objects, Post Gallery, Los Angeles, CA
2001
Zombie Dance Film Festival, Austin, TX
Monster Movieside Film Festival, Chicago, IL
Shock-O-Rama A-Go-Go Film Festival, Los Angeles, CA
100% Rag, Post Gallery, Los Angeles, CA
2000
It’s A Mother, Aquarius Records, San Francisco, CA
Works On Paper, Post Gallery, Los Angeles, CA

Public Collections

Museum of Contemporary Art, Los Angeles, CA
Sprint, Kansas City, MO
Jay Dandy and Melissa Weber, Chicago, IL
Paula and Allan Rudnick, Los Angeles, CA
Sheridan Brown, Los Angeles, CA
August Uribe, New York, NY
John Souza, Los Angeles, CA
Judy and Stuart Spence, Los Angeles, CA
Adam Silverman, Los Angeles, CA
Jody Zellon, Los Angeles, CA
Suzie Aaron, Kansas City, MO

Publications

2014
Frank LA, Issue No. 1, curated by Carol Cheh, Lauri Firstenberg, Mat Gleason & Shamim Momin, December 2014.

Bibliography

2018
Michael Wright, "Worshipping Sticks and Stones at Anat Ebgi," Contemporary Art Review LA, December 5, 2018. (Link)
Fontaine, Pearl. "Adrian Piper, Zoe Leonard, Ivan Morley, and More Must See Los Angeles Shows," Whitewall, November 15, 2018.
2017
“Bye Jay Stuckey, by Jay Stuckey,” Terremoto: Contemporary Art in the Americas, April 13, 2017. (Link)
For Your Art, Instagram Feature, April 8, 2017.
Jody Zellen, “Review of ‘Bye Jay Stuckey, by Jay Stuckey,” Art Scene Vol. 36 No.7, April 2017.
2016
Brainard Carey, "Interview with Jay Stuckey," Yale University Radio WYBC, March 16, 2016.
2013
Carlson Hatton, “Excerpt on Jay Stuckey,” The Benefit of Friends Collected, 2013.
Arthur Peña, “A Conversation: Jay Stuckey at Anat Ebgi,” New American Painters, October 2013. (Link)
2008
Miguel Szymanski, “Na Berlinda,” Expresso, October 2008.
Peter Clothier, “The Art of Outrage”, Art Scene Visual Radio, May 2008.
2005
Kurt Shaw, “Tragedy Examined”, Pittsburgh Tribune-Review, October 13, 2005.
Thurston Moore, “Mix Tape: the art of cassette culture,” Universe, 2005.
2004
Charlene Roth, “Freewall”, Artweek, June 2004.
Devon Dikeou, “Airplanes and Mummies”, Zing Magazine, Winter 2004.
Bidisha Banerjee, “Airplanes”, Washington City Paper, March 19, 2004.
Jessica Dawson, “Menacing Machines”, Washington Post, March 18, 2004.
Glenn Dixon, “The Ceiling’s The Limit”, Express, March 4, 2004.
Jayla Ros, “Drawn Fictions”, The Organ, March 2004.
Robin Trafton, “Masked Artists”, Kansas City Star, February 27, 2004.
Oz McGuire, “Disguises and Doppelgangers”, Review Magazine, March 2004.
2003
Michael Darling, “Tomorrow’s…,” L.A. Times Magazine, September 28, 2003.
Oz McGuire, “Interview,” Review Magazine, September 2003.
Alice Thorson, “Absurd and Violent”, Kansas City Star, June 27, 2003.
Doug Kubert, “Best Pairing of Artists, Best of Kansas City”, The Pitch, October 9, 2003.
2002
John Judge, “Jay Stuckey: Post”, Zing Magazine, Issue 17, Autumn 2002.
Jessica Dawson, “Drawing Power”, Washington Post, December 19, 2002.

Jay Stuckey

BIOGRAPHY

CV

Jay Stuckey Nyx, 2019
Oil and graphite on canvas 44 x 60 inches / 111.8 x 152.4 cm
Jay Stuckey State Of The Union, 2020
Oil on canvas 33 x 70 inches / 83.8 x 177.8 cm
Detail
Detail
Jay Stuckey Destroy All Music, 2020
Oil and graphite on canvas 13.5 x 12 inches / 34.3 x 30.5 cm
Jay Stuckey Safe Cracker, 2020
Oil on canvas 16 x 14 inches / 40.6 x 35.6 cm
Jay Stuckey Tank, 2020
Colored pencil and graphite on paper 7 x 10 inches / 17.8 x 25.4 cm
Jay Stuckey The Party, 2019
Oil and collage on canvas 60 x 88 inches / 152.4 x 223.5 cm
Jay Stuckey It's Messy Business, 2019
Anna Zorina Gallery, Installation view
Jay Stuckey It's Messy Business, 2019
Anna Zorina Gallery, Installation view
Jay Stuckey Baptism, 2018
Oil on canvas 44 x 60 inches / 111.8 x 152.4 cm
Detail
Jay Stuckey It's Messy Business, 2019
Anna Zorina Gallery, Installation view
Jay Stuckey Scuba Geil, 2018
Oil on canvas 10 x 13 inches / 25.4 x 33 cm
Jay Stuckey It's Messy Business, 2019
Anna Zorina Gallery, Installation view
Jay Stuckey It's Showtime, 2020
Oil on canvas over panel 33 x 24 inches / 83.8 x 61 cm
Jay Stuckey Bouquet, 2017
Oil on canvas 60 x 44 inch
Jay Stuckey Joyride!, 2018
Oil and graphite on canvas 33 x 45 inch
Jay Stuckey The Cave, 2018
Oil on canvas 9 x 43 inch
Jay Stuckey Pissing Contest (Dusk), 2019
Oil on canvas 19 x 26 inches / 48.3 x 66 cm
Jay Stuckey Puppet Show, 2017
Oil on canvas 40 x 28 inches
Jay Stuckey Sleep Club, 2017
Oil on canvas 33 x 45 inches
Jay Stuckey Bouquet, 2016
Oil, graphite on canvas 60 x 44 inches
Jay Stuckey The Movies, 2016
Oil on canvas 60 x 44 inches
Jay Stuckey Carl Jung's Birthday, 2016
Oil and graphite on canvas 60 x 40 inches
Jay Stuckey Cactus Girl, 2016
Oil on canvas 45 x 33 inches / 114.3 x 83.8 cm
Jay Stuckey Puppet Show (Opening Act), 2016
Oil on canvas 35 x 50 inches
Jay Stuckey Fuck You Fuck You Fuck You, 2011
Oil and collage on canvas 55 x 75 inches
Jay Stuckey, Bye Jay Stuckey, by Jay Stuckey, 2017
Anat Ebgi Gallery, Installation view
Jay Stuckey Here Comes The Girls, 2011
Oil on canvas 44 x 60 inches
Jay Stuckey You're Hot, 2016
Oil, oil stick, and graphite on canvas 17 x 25 1/2 inches
Jay Stuckey HQ, 2011
Oil and collage on canvas 75 x 55 inches
Jay Stuckey I Am So Sorry, 2015
Oil, oil stick, graphite on canvas 36 x 68 inches
Jay Stuckey East, 2011
Oil on canvas 44 x 60 inches
Jay Stuckey Jihad, 2015
OIl, oil stick, graphite on canvas 33 x 45 inches
Jay Stuckey Self Portrait with Doll, 2015
Oil, oil stick, and graphite on canvas 33 x 45 inches
Jay Stuckey Floating, 2014
Oil on canvas 60 x 44 inches
Jay Stuckey Man in Beast Beast in Man, 2013
Oil on canvas 62 x 65 inches
Jay Stuckey Guardians of the Secret, 2012
Oil and collage on canvas 72 x 108 inches
Jay Stuckey Forgetting, 2014
Oil on canvas 33 x 24 inches
Jay Stuckey No. 56 The Wanderer, 2013
Oil and collage 58 x 74 inches
Jay Stuckey Raft, 2014
Oil on canvas 60 x 44 inches
Jay Stuckey Pallas Athena II, 2013
Oil and collage on canvas 44 x 60 inches
Jay Stuckey Charley, 2013
Oil and collage on canvas 49 x 65 inches
Jay Stuckey Orgy, 2012
Oil and collage on canvas 33 x 45 inches
Jay Stuckey Dinner Party, 2012
Oil and collage on canvas 33 x 45 inches
Jay Stuckey Fight II Nothing this evil can die, 2012
Oil and collage on canvas 33 x 45 inches

BIOGRAPHY

Primarily working with painting and collage, Jay Stuckey creates compositions of familiar images using representational and abstract elements. The humor and accessibility of Stuckey’s work is counterbalanced by each piece’s hidden intricacy and purpose. Referencing his own subconscious and the confessional nature of Jungian psychoanalysis, Stuckey intends the immediacy of his work to present a line of inquiry and revelation to the viewer instead of imposing ideas. Stuckey intends his works to reveal themselves with subtlety and action, instilling the perseverance of his ongoing process.

Jay Stuckey (b. 1968, Washington, D.C.) lives and works in Los Angeles. Stuckey received his MFA from the School of the Art Institute Chicago, and BFA from Brown University. He has exhibited internationally at venues including The Cedars, Texas; Abel Raum für Neue Kunst, Berlin; Institut Franco-American, Rennes; Eric Firestone Gallery, New York; Palmetto Center for the Arts, San Antonio; Minnesota Street Project, San Francisco; Deutscher Kunstlerbund, Berlin; Blank Projects, Cape Town; Goethe Institute, Johannesburg; Green Papaya Art Projects, Manila; Pøst Gallery, LA, 16:1 Gallery, Santa Monica and Axis Gallery, Sacramento. He is included in the public collections of the Museum of Contemporary Art, Los Angeles, CA and Collection Majudia, Montreal. He has lectured at Brown University, OTIS, and the Jung Institute. Upcoming exhibitions include a solo exhibition with Anna Zorina Gallery, New York.

 

EXHIBITIONS

Suddenly! Curated by Derek Boshier, August 10 – 31, 2020

Bye Jay Stuckey, by Jay Stuckey, March 11 – April 15, 2017

PRIMA MATERIA, September 28 – November 9, 2013

Glad Day, September 3 – October 2, 2011

ALPTRAUM!, April 30 – June 4, 2011

CV

Jay Stuckey

1968
Born in Washington, DC
Lives and works in Los Angeles, CA

Education

1996
MFA, Painting, The School of the Art Institute of Chicago
1990
BA, Art, Brown University, Phi Beta Kappa, Magna Cum Laude

Solo Exhibitions

2019
It's Messy Business, Anna Zorina Gallery, New York, NY
Solo Presentation, The Armory Show, New York, NY
2017
ONO, Shotgun at the Cedars, Dallas, TX
Bye Jay Stuckey, by Jay Stuckey, Anat Ebgi, Los Angeles, CA
2013
PRIMA MATERIA, Anat Ebgi, Los Angeles, CA
2012
New Work, with Anat Ebgi, Art Platform¬–Los Angeles, Los Angeles, CA
2011
New Work, with Anat Ebgi, NADA, Miami, FL
Glad Day, The Company, Los Angeles, CA
2010
New Work, Matrushka, Los Angeles, CA
2008
New Work, Northwest Vista College, San Antonio, TX
2007
Flying Saucer Take Me Away, 16:1 Gallery, Santa Monica, CA
2005
New Work, 16:1 Gallery, Santa Monica, CA
2004
Tora, Tora, Tora, Abel Raum für Neue Kunst, Berlin, DE
Airplanes, Strand On Volta, Washington, DC
2003
Spectrascope, 16:1 Gallery, Santa Monica, CA
2002
New Work, American Intercontinental University, Los Angeles, CA
2001
Big Day, Post Gallery, Los Angeles, CA

Group Exhibitions

2019
The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
2018
Worshipping Sticks and Stones, Anat Ebgi, Los Angeles, CA
2017
Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2016
ARCOmadrid, with Anat Ebgi, Madrid, ES
2015
She Sells Seashells by the Seashore, Eric Firestone Gallery, East Hampton, NY
ges.ture, curated by Carl Berg, arena 1 gallery, Santa Monica, CA
NADA NY, with Anat Ebgi, New York, NY
2013
Dallas Art Fair, with Anat Ebgi, Dallas, TX
Le Fil Rouge, curated by Lucie Fontaine, with Anat Ebgi, ALAC, Los Angeles, CA
2012
Transient Apocalypse, curated by Chris Pate, Irvine Fine Arts Center, Irvine CA
The Bearded Baby, Axis Gallery, Sacramento CA
ALPTRAUM!, curated by Jay Stuckey & Marcus Sendlinger, Transformer, Washington, DC; Cell Project Space, London, UK; Deutscher Kunstlerbund, Berlin, DE; The Company, Los Angeles, CA; Blank Projects, Cape Town, SA; Goethe Institute, Johannesburg, SA; Green Papaya Art Projects, Manila, PH
2011
Irrational Exhibits 8 (musician for Carol Cetrone), Track 16 Gallery, Santa Monica, CA
Into The Trees, Institut Franco-American, Rennes, FR
2010
Psychic Outlaws, Luckman Gallery, Cal State, Los Angeles, CA
Mail Art: The End Of The Earth, Finis Terrae Gallery-PASCA, Pont Aven, FR
This Land Is A Hand Game, Porthole Projects, Santa Fe, NM
2009
Sweet Subversives, Long Beach Museum of Art, Long Beach, CA
Three Person Show, Jancar/McCorkle Projects, Los Angeles, CA
One Week Only, Jancar Gallery, Los Angeles, CA
Big Boys, Andrew Shire Gallery, Los Angeles, CA
2008
Mummify Me, Denver Community Museum, Denver, CO
Betwixt and Between, ACME, Los Angeles, CA
Flatmates, Transformer Gallery, Washington, DC
Inner Battles of the Imaginary Male, Andrew Shire Gallery, Los Angeles, CA
2007
Wall/paper, Transformer Gallery, Washington, DC
Empowerment, Abel Raum für Neue Kunst, Berlin, DE
Faculty Exhibition, Brown University, Providence, RI
2005
Twisted Christmas, BGH Gallery, Santa Monica, CA
Four Years Later, Fe Gallery, Pittsburgh, PA
2004
The Living, The Dead, and The Living Dead, 16:1, Santa Monica, CA
Uncensored Gifts, Mt. San Jacinto College, San Jacinto, CA
Poly Copy, Un Appartment, Paris, FR
Transformers, Transformer Gallery, Washington, DC
Alptraum, Kuche-Kita Atelierhaus, Berlin, DE
Free Wall, Cal Poly University, Pomona, CA
The Gun And Knife Show, Fahrenheit Gallery, Kansas City, MO
Alias, The Bank, Kansas City, MO
Drawn Fictions, The Art Gym, Marylhurst University, OR
2003
Wheeling!, Cell Project Space, London, UK
In My Room, Pasadena City College Art Gallery, Pasadena, CA
Rapt, Fahrenheit Gallery, Kansas City, MO
2002
Irrational Propositions, Post Gallery, Los Angeles, CA
Big Mind, Transformer Gallery, Washington, D.C.
Stray Show, Chicago Art Fair with Post, Chicago, IL
Relative Objects, Post Gallery, Los Angeles, CA
2001
Zombie Dance Film Festival, Austin, TX
Monster Movieside Film Festival, Chicago, IL
Shock-O-Rama A-Go-Go Film Festival, Los Angeles, CA
100% Rag, Post Gallery, Los Angeles, CA
2000
It’s A Mother, Aquarius Records, San Francisco, CA
Works On Paper, Post Gallery, Los Angeles, CA

Public Collections

Museum of Contemporary Art, Los Angeles, CA
Sprint, Kansas City, MO
Jay Dandy and Melissa Weber, Chicago, IL
Paula and Allan Rudnick, Los Angeles, CA
Sheridan Brown, Los Angeles, CA
August Uribe, New York, NY
John Souza, Los Angeles, CA
Judy and Stuart Spence, Los Angeles, CA
Adam Silverman, Los Angeles, CA
Jody Zellon, Los Angeles, CA
Suzie Aaron, Kansas City, MO

Publications

2014
Frank LA, Issue No. 1, curated by Carol Cheh, Lauri Firstenberg, Mat Gleason & Shamim Momin, December 2014.

Bibliography

2018
Michael Wright, "Worshipping Sticks and Stones at Anat Ebgi," Contemporary Art Review LA, December 5, 2018. (Link)
Fontaine, Pearl. "Adrian Piper, Zoe Leonard, Ivan Morley, and More Must See Los Angeles Shows," Whitewall, November 15, 2018.
2017
“Bye Jay Stuckey, by Jay Stuckey,” Terremoto: Contemporary Art in the Americas, April 13, 2017. (Link)
For Your Art, Instagram Feature, April 8, 2017.
Jody Zellen, “Review of ‘Bye Jay Stuckey, by Jay Stuckey,” Art Scene Vol. 36 No.7, April 2017.
2016
Brainard Carey, "Interview with Jay Stuckey," Yale University Radio WYBC, March 16, 2016.
2013
Carlson Hatton, “Excerpt on Jay Stuckey,” The Benefit of Friends Collected, 2013.
Arthur Peña, “A Conversation: Jay Stuckey at Anat Ebgi,” New American Painters, October 2013. (Link)
2008
Miguel Szymanski, “Na Berlinda,” Expresso, October 2008.
Peter Clothier, “The Art of Outrage”, Art Scene Visual Radio, May 2008.
2005
Kurt Shaw, “Tragedy Examined”, Pittsburgh Tribune-Review, October 13, 2005.
Thurston Moore, “Mix Tape: the art of cassette culture,” Universe, 2005.
2004
Charlene Roth, “Freewall”, Artweek, June 2004.
Devon Dikeou, “Airplanes and Mummies”, Zing Magazine, Winter 2004.
Bidisha Banerjee, “Airplanes”, Washington City Paper, March 19, 2004.
Jessica Dawson, “Menacing Machines”, Washington Post, March 18, 2004.
Glenn Dixon, “The Ceiling’s The Limit”, Express, March 4, 2004.
Jayla Ros, “Drawn Fictions”, The Organ, March 2004.
Robin Trafton, “Masked Artists”, Kansas City Star, February 27, 2004.
Oz McGuire, “Disguises and Doppelgangers”, Review Magazine, March 2004.
2003
Michael Darling, “Tomorrow’s…,” L.A. Times Magazine, September 28, 2003.
Oz McGuire, “Interview,” Review Magazine, September 2003.
Alice Thorson, “Absurd and Violent”, Kansas City Star, June 27, 2003.
Doug Kubert, “Best Pairing of Artists, Best of Kansas City”, The Pitch, October 9, 2003.
2002
John Judge, “Jay Stuckey: Post”, Zing Magazine, Issue 17, Autumn 2002.
Jessica Dawson, “Drawing Power”, Washington Post, December 19, 2002.