Amie Dicke

Amie Dicke’s work comprises a negotiation between everyday imagery and the validity of the whole of visual culture. Dicke prints images culled from various sources, from fashion magazines to Bauhaus catalogues, and charges them with a sense of physicality through dissolving the images from the paper. Elements are stripped back with sandpaper, caked in makeup, blotted with wine and surgically incised. Similar to her works with paper, Dicke’s “corrected artwork” series features panels coated with ink blown from ballpoint pens onto old artworks. Her abrasion and correction of established visual narrative attempts to both conceal an image while simultaneously deconstructing established visual cues, revealing alternate and new tactile experiences.

 

EXHIBITIONS

ONE-LINER, January 11 – February 16, 2020

Granpalazzo, May 27-28, 2017

Quote Unquote, April 30 – June 4, 2016

Collecting Alibis, November 16, 2013 – January 4, 2014

Amie Dicke

1978
Born in Rotterdam, NL. Lives and works in Amsterdam.

Education

2000
BFA, Willem de Kooning Academy of Fine Arts, Rotterdam, NL

Solo Exhibitions

2020
ONE-LINER, Anat Ebgi, Los Angeles, CA
2019
ONE-LINER, EENWERK, Amsterdam, NL
2017
The Liver Must Go To The Images, Stigter Van Doesburg, Amsterdam, NL
Political Horizon, Granpalazzo, with Anat Ebgi, Roma, IT
2016
Sucking Stones, Looiersgracht, Amsterdam, NL
Quote Unquote, Anat Ebgi, Los Angeles, CA
2013
Collecting Alibis, Anat Ebgi, Los Angeles, CA
Collecting Alibis, Stigter Van Doesburg, Amsterdam, NL
2012
Nabeeld (Afterimage), GEM Museum of Contemporary Art, The Hague, NL
After Goldschmidt, Foundation Castrum Peregrini, Amsterdam, NL
2010
Connected Isolation, Hiromi Yoshii Gallery, Tokyo, JP
2008
Passive Drifter, Peres Projects, Berlin, DE
Infinitely suffering thing, Peres Projects, Los Angeles, CA
2006
Violent Contradiction, Galerie Diana Stigter, Amsterdam, NL Private Property, Peres Projects, Berlin, DE
2005
Verwilder, Visionaire Gallery, New York, USA That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
2004
Void, Galerie Diana Stigter, Amsterdam, NL New Season, New Girls, New Looks, D’Amelio Terras, New York, USA
New Season, New Girls, New Looks, D'Amelio Terras, New York, NY
Downwards, Fries Museum, Buro Leeuwarden, Leeuwarden, NL
2003
Sensual Sadness, Peres Projects, Los Angeles, CA

Group Exhibitions

2020
The Armory Show, with Anat Ebgi, New York, NY
2019
The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
2018
BIC Collection, Centquatre, Paris, FR
Who are we again?, Arti et Amicitiae in Amsterdam, NL
2017
White Covers, a selection from the collection of Frederic De Goldschmidt, Brussels, BY
Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2016
Autre Visage, Pôle Image Haute-Normandie/Centre Photographique, Rouen, FR
Once in a Lifetime, Oude Kerk, Amsterdam, NL
2015
Intimacy / Chambres d'Amis, curated by Valentin Byvank, Marres (House for Contemporary Culture), Maastricht, NL
How Soon is Now?, organized by gallery Stigter Van Doesburg, Manifesta, Amsterdam, NL
In / Ex, curated by Vincent van Velzen, Castrum Peregrini, Amsterdam, NL
Manifesten, curated by Folkert de Jong, Museum Kranenburgh, Bergen, NL
White, Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2014
(OFF)ICIELLE, with Anat Ebgi, Paris, FR
2013
The Tolerant Home, House ‘De vergulde Ster’, Amsterdam, NL
2012
It Might As Well Rain Until September, Diana Stigter, Amsterdam, NL
The Dutch Identity? Half Sugar, Half Sand, curated by Hanne Hagenaars, Museum De Paviljoens, Almere, NL
The Dutch Identity? The power of now, curated by Macha Roesink, Museum De Paviljoens, Almere, NL
Blood Sugar Sex Magik, The Company, Los Angeles, CA
2011
Collecting the Future, Sinop Prison, Sinop, TR
I Should Have Done That, NEST, Den Haag, NL
Arnhem Mode Biennale: Amie Dicke, Arnhem, NL
Salon/2: Amie Dicke, Museum van Loon, Amsterdam, NL
Opening Exhibition, Museum of Old and New Art, Tasmania, AU
2010
Saccharine, curated by Ana Finel Honigman, and Nadja Velben, Grimm Museum, Berlin, DE
Going International, The FLAG Art Foundation, New York, NY
Murakami Takashi kaikaikiki Collection - Western Europe Art Exhibition, KaiKai KiKi Gallery, TW
Get Behind Me Satan and Push, Peres Projects, Berlin, DE
The Library of Babel / In and Out of Place, curated by Anna-Catherina Gebbers, Zabludowicz Collection, London, UK
2009
Scherenschnitt - Kontur pur, Museum Bellerive, Museum für Gestaltung/Design Museum, Zurich, CH
Minneapolis, Peres Projects, Los Angeles, CA
Aura, Foundation Castrum Peregrini, curated by Michiel van Iersel, Amsterdam, NL
Ophelia, Sehnsucht, melancholie en doodsverlangen, Museum voor Moderne Kunst, Arnhem, NL
HARD/Soft, National Arts Club, New York City, US
Wall Rockets - Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York City, NY
Threealities, 1/9 unosunove, Rome, IT
2008
When It’s a Photograph, Otis College of Art and Design: Bolsky Gallery, Los Angeles, CA
Call it What You Like!, Collection Rik Reinking, Art Centre Silkeborg Bad, DK
SGOZZATA, curated by Margherita Belaief & John Kleckner, Peres Projects Kreuzberg, Berlin, DE
2007
Gravity’s Rainbow, Peres Projects, Athens, GR
Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, CH
An Archeology, Project Space 176, Zabludowicz Collection, London, UK
The Game of Multiple Meaning: Symbolism and the Art of the Present, curated by Ute Riese, Van der Heydt Museum, Wuppertal, DE
Blackberrying, curated by Sara Hatla Krogsgaard, Galleri Christina Wilson, Copenhagen, DK
2006
Art on Paper, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC
Sweet Ecstasy, Galerie Nicola von Senger, Zurich, CH
The Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle,Frankfurt, DE
2005
Gorgeous isn’t Good Enough, curated by Morgan Morris, Spazio Pirelli, Milan, IT
2004
Untitled Series: Pin up: Contemporary Collage and Drawing, curated by Emma Dexter and Susan May, Tate Modern, London, UK
The Stars of Track and Field are Beautiful People, curated by Javier Peres, Galeria Changing Role, Naples, IT
Axxxpresssunizm, curated by Mark Beasley and John Russell:Vilma Gold, London, UK
Véronique de Bellefroid & Bernard Prévot, Brussels, BE
Le Cabinet de Collage, D’Amelio Terras, New York City, NY
Cave Canem, John Connelly Presents, New York City, NY
2003
Hovering, Peres Projects, Los Angeles, CA
Models and Mavericks, Museum het Domein, Sittard, NL
Turbulence, curated by Mirjam Westen, Museum voor Moderne Kunst, Arnhem / Centre of Contemporary Art, Kiev, NL / UA
2002
Galerie Diana Stigter, (duo with Thijs Kauffman), Amsterdam, NL
Weke Delen , curated by Wilma Sütö, Museum Boijmans van Beuningen, Rotterdam, NL
2001
Haunted Hause of Horror, curated by Gabriël Lester, Stichting Outline, Amsterdam, NL
Masterly Video, Masterly Collected, De Kunsthal, Rotterdam, NL
2000
It is Strange to be so many Women, Galerie Diana Stigter / Ellen de Bruijne Projects, Amsterdam, NL

Press

2019
Alja Bakker, "Amie Dicke," Vogue NL, January 2019.
2018
Amie Dicke, "Selection and Removal," Lodown Radical Cut-Up, Fall 2018.
2017
Mark Smith, “Immateriality with Amie Dicke,” COS Magazine, Spring & Summer 2017.
2016
Anna van Leeuwen, “Soaps used as archaeological finds: Exhibition on impermanence,” deVolkskrant, June 1, 2016.
Alicia Eler, “Amie Dicke: Redundancies, Voids and Metaphors of the Real,” CraveOnline, June 2, 2016. (Link)
Federica Tattoli, “Quote Unquote, Amie Dicke,” Fruit of the Forest, May, 2016. Francesca Verga, “I love Aby Warburg’s ideas of reestablishing pathos,” Conceptual Fine Arts, January 12, 2016.
2015
“Inside the 17th Century headquarters of haute couture house Viktor & Rolf,” Vogue Living, December 2015. (Link)
2013
Leah Ollman, ”Critic’s Choice: Amie Dicke photographs as powerfully compromised objects,” L.A. Times, December 24, 2013. (Link)
Paul Laster, “Amie Dicke: Reimagining the world around us,” Arts Holland, December 16, 2013.
Francesca Gavin, “The Best New Female Fronted Shows,” DAZED Digital, November 27, 2013. (Link)
2012
Thija van Velzen, “Amie Dicke,” Freunde von Freunden, May 2, 2012. (Link)
Hans den Hartog Jager, "Tedere Vernietiging," Vogue NL, Winter 2012.
Marina de Vries, "Hallucinerende beeldencocktail," October 2012.
2011
Stephen Hoban, “Sculptural Relief,” S Magazine, January 1, 2011.
2010
Anat Ebgi, “Amie Dicke,” Flash Art, May 1, 2010. (Link)
2009
Ana Finel Honigman, “Consuming Beauty,” Sculpture, March 1, 2009.
Katerina Gregos, "Who's afraid of the F-word," BC, April 2009.
2008
Marta Galli, “Muse Magazine: Tender and Dark,” Muse Magazine, June 1, 2008.
Marta Galli, ”Tender and Dark,” I-D Magazine, June 1, 2008.
Aimee Walleston, “Amie Tokion: Surface Tension,” Amie Tokion, 2008.
2007
Ana Finel Honigman, “Artists’ Models,” British Vogue, April 1, 2007.
2006
Solve Sundsbo and Amie Dicke, "Something Just Fell Apart," Numero, March 2006.
Carmen Biker, “Der Fluch des Einhorns,” Berliner Zeitung, April 11, 2006.
Andreas Schlaegel, “Amie Dicke,” Der Tagesspiegel, March 25, 2006.
2005
Kate Sennert, "Paper Dolls," V Magazine, Winter 2005.
2004
Bethany Anne Pappalardo, "Amie Dicke," ARTFORUM, Fall 2004.
Ana Finel Honigman, “Amie Dicke: New Season, New Girls, New Look,” Modern Painters, December 1, 2004.
Nick Hackworth, "Skin Deep," Dazed and Confused, October 2004.

Publications

2015
First Conversation, Amie Dicke with K. Schippers, Ed. of 30, 2015.
2012
Nabelld (Aferimage), interview with Amie Dicke by Laura Stamps (Curator of Modern and Contemporary Art, Gemeentemuseum Den Haag), 2012.
2008
Right on Time, Flaunt Magazine, no. 97, 2008.
2005
Void, Fully illustrated catalogue, Artimo, 2005.

 

Amie Dicke

BIOGRAPHY

CV

Amie Dicke Pink Suits, 2020 Sandpaper abrasion on archival print mounted on aluminum, framed 35 x 24.5" [HxW] (88.9 x 62.23 cm) Unique Inventory #AD1093
Amie Dicke Camouflage, 2020 Cosmetic foundation painted on digital print on archival paper, mounted on aluminum, framed 15 x 11" [HxW] (38.1 x 27.94 cm) Unique Inventory #AD1097
Amie Dicke ONE-LINER VI, 2020 Sublimation print on aluminum 39 x 27.5" [HxW] (99.06 x 69.85 cm) Unique Inventory #AD1095
Amie Dicke ONE-LINER VI, 2020 Sublimation print on aluminum 39 x 27.5" [HxW] (99.06 x 69.85 cm) Unique Inventory #AD1095
Amie Dicke /=/, 2020 Sandpaper abrasion on archival print mounted on aluminum, framed 40 x 31.5" [HxW] (101.6 x 80.01 cm) Unique Inventory #AD1089
Amie Dicke ONE-LINER VII, 2020 Sublimation print on aluminum 45 x 35.5" [HxW] (114.3 x 90.17 cm) Unique Inventory #AD1096
Amie Dicke X=X, 2020 Sandpaper abrasion on archival print mounted on aluminum, framed 40 x 32.5" [HxW] (101.6 x 82.55 cm) Unique Inventory #AD1094
Amie Dicke Headline, 2020 Sandpaper abrasion on archival print mounted on aluminum, framed 21 x 16" [HxW] (53.34 x 40.64 cm) Unique Inventory #AD1091
Amie Dicke ONE-LINER V (Separation Redhead), 2019
Sublimation print on aluminum, 27.5 x 47.25 inches / 69.9 x 120 cm
Detail
Amie Dicke ONE-LINER III (Holding The Rodeo Image), 2019
Sublimation print on aluminum 47 x 36.75 inches / 119.4 x 93.4 cm
Detail
Amie Dicke ONE-LINER IV (Listen), 2019
Sublimation print on aluminum 47.25 x 36.75 inches / 120 x 93.4 cm
Detail
Amie Dicke P. 111 Self Service No. 47, 2019
Sandpaper abrasion on sublimation print on aluminum 31.5 x 20 inches / 80 x 50.8 cm Unique
Amie Dicke HANDLE HER (Picture Her Rollin), 2019
Digital print on archival paper, mounted on aluminum, framed 13.5 x 10.25 inches / 34.3 x 26 cm Unique
Amie Dicke SMILE/ LEAN IN /ELBOW (triptych), 2019
Digital print on archival paper, mounted on aluminum, framed 15 x 34 inches / 38.1 x 86.4 cm Unique
Amie Dicke HANDLE HIM, 2019
Digital print on archival paper, mounted on aluminum, framed 13.5 x 10.25 inches / 34.3 x 26 cm Unique
Amie Dicke,The Liver Must Go To The Images, Installation view, Stigter Van Doesburg, 2017
Amie Dicke,The Liver Must Go To The Images, Installation view, Stigter Van Doesburg, 2017
Amie Dicke,The Liver Must Go To The Images, Installation view, Stigter Van Doesburg, 2017
Amie Dicke
P. 67, 2017
Sandpaper abrasion on archival digital print
135 x 178 cm
Unique
Amie Dicke
Polical Horizon , 2017
Sandpaper abrasion on archival digital print
160 x 196 x 10cm framed
Unique
Anat Ebgi, Amie Dicke at Granpalazzo, Installation view, 2017
Amie Dicke, The Battle of Magenta at September 22nd 2012. Container, prints, water. (Exhibition Nabeeld (Afterimage) at GEM Museum of contemporary art, The Hague)
Anat Ebgi, Amie Dicke at Granpalazzo, Installation view, 2017
Amie Dicke
The Daughter, 2015
Sandpaper abrasion on print
54 x 36 inches
Amie Dicke, The Battle of Magenta at January 6th 2013 (detail)
Amie Dicke, Installation view of Under the Carpet, and Corrected Corner, 2012. (Exhibition Corrected Corner at Diana Stigter)
Amie Dicke
The Family, 2015
Sandpaper abrasion on print
54 x 36 inches
Amie Dicke, The Battle of Magenta at January 6th 2013 (detail)
Amie Dicke, installation view of Carpet, Network, and Conversation Piece.
Amie Dicke, Butterflies 2006 (Corrected Artwork), 2010. 439 Bic pens on old work.
Amie Dicke, X-173-Key, 2013. Sandpaper abrasion on paper print, 150 x 200 cm.
AU AU VI and AU AU VII, Sandpaper abrasion on book pages, 2013
Amie Dicke
Quote Unquote, Installation view, 2016
Installation shot from the group show "The Tolerent Home" at Keizersgracht 387, House 'De vergulde Ster' in Amsterdam.
Amie Dicke, The Battle of Magenta at January 6th 2013 (detail)
Amie Dicke
Quote Unquote, Installation view, 2016
Installation shot from the group show "The Tolerent Home" at Keizersgracht 387, House 'De vergulde Ster' in Amsterdam.
Amie Dicke, Network, 2012. Berlage showcases, and nets. Temporary Installation. (Exhibition Nabeeld (Afterimage) at GEM Museum of contemporary art, The Hague)
Amie Dicke
Quote Unquote, Installation view, 2016
Installation shot from the group show "The Tolerent Home" at Keizersgracht 387, House 'De vergulde Ster' in Amsterdam.
Overview Claustrophobic at Foundation Castrum Peregrini, Amsterdam 2009 (photo: Simon Bosch)
Amie Dicke, /////, 2012. BIC ink, perspex. (Exhibition Nabeeld (Afterimage) at GEM Museum of contemporary art, The Hague)
Installation shot from the group show "The Tolerent Home" at Keizersgracht 387, House 'De vergulde Ster' in Amsterdam.
Amie Dicke, Aesthetic Censorship, Phase 3, 2012. Foundation abrasion on magazine, 8.75 x 11.5 inches, 11.5 x 14.5 inches framed.
Amie Dicke, The Ring and the Finger, 2012. Sandpaper abrasion on print, 59 x 79 inches. (Exhibition Nabeeld (Afterimage) at GEM Museum of contemporary art, The Hague)
Installation shot from the group show "The Tolerent Home" at Keizersgracht 387, House 'De vergulde Ster' in Amsterdam.
Amie Dicke, Aesthetic Censorship, Torso 1, 2012. Foundation abrasion on magazine, 8.73 x 11.5 inches, 11.5 x 14.5 inches framed.
Amie Dicke, The Background Men, 2012. Sandpaper abrasion on print, 78 x 59 inches. (Exhibition Nabeeld (Afterimage) at GEM Museum of contemporary art, The Hague)

BIOGRAPHY

Amie Dicke’s work comprises a negotiation between everyday imagery and the validity of the whole of visual culture. Dicke prints images culled from various sources, from fashion magazines to Bauhaus catalogues, and charges them with a sense of physicality through dissolving the images from the paper. Elements are stripped back with sandpaper, caked in makeup, blotted with wine and surgically incised. Similar to her works with paper, Dicke’s “corrected artwork” series features panels coated with ink blown from ballpoint pens onto old artworks. Her abrasion and correction of established visual narrative attempts to both conceal an image while simultaneously deconstructing established visual cues, revealing alternate and new tactile experiences.

 

EXHIBITIONS

ONE-LINER, January 11 – February 16, 2020

Granpalazzo, May 27-28, 2017

Quote Unquote, April 30 – June 4, 2016

Collecting Alibis, November 16, 2013 – January 4, 2014

CV

Amie Dicke

1978
Born in Rotterdam, NL. Lives and works in Amsterdam.

Education

2000
BFA, Willem de Kooning Academy of Fine Arts, Rotterdam, NL

Solo Exhibitions

2020
ONE-LINER, Anat Ebgi, Los Angeles, CA
2019
ONE-LINER, EENWERK, Amsterdam, NL
2017
The Liver Must Go To The Images, Stigter Van Doesburg, Amsterdam, NL
Political Horizon, Granpalazzo, with Anat Ebgi, Roma, IT
2016
Sucking Stones, Looiersgracht, Amsterdam, NL
Quote Unquote, Anat Ebgi, Los Angeles, CA
2013
Collecting Alibis, Anat Ebgi, Los Angeles, CA
Collecting Alibis, Stigter Van Doesburg, Amsterdam, NL
2012
Nabeeld (Afterimage), GEM Museum of Contemporary Art, The Hague, NL
After Goldschmidt, Foundation Castrum Peregrini, Amsterdam, NL
2010
Connected Isolation, Hiromi Yoshii Gallery, Tokyo, JP
2008
Passive Drifter, Peres Projects, Berlin, DE
Infinitely suffering thing, Peres Projects, Los Angeles, CA
2006
Violent Contradiction, Galerie Diana Stigter, Amsterdam, NL Private Property, Peres Projects, Berlin, DE
2005
Verwilder, Visionaire Gallery, New York, USA That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
2004
Void, Galerie Diana Stigter, Amsterdam, NL New Season, New Girls, New Looks, D’Amelio Terras, New York, USA
New Season, New Girls, New Looks, D'Amelio Terras, New York, NY
Downwards, Fries Museum, Buro Leeuwarden, Leeuwarden, NL
2003
Sensual Sadness, Peres Projects, Los Angeles, CA

Group Exhibitions

2020
The Armory Show, with Anat Ebgi, New York, NY
2019
The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
2018
BIC Collection, Centquatre, Paris, FR
Who are we again?, Arti et Amicitiae in Amsterdam, NL
2017
White Covers, a selection from the collection of Frederic De Goldschmidt, Brussels, BY
Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2016
Autre Visage, Pôle Image Haute-Normandie/Centre Photographique, Rouen, FR
Once in a Lifetime, Oude Kerk, Amsterdam, NL
2015
Intimacy / Chambres d'Amis, curated by Valentin Byvank, Marres (House for Contemporary Culture), Maastricht, NL
How Soon is Now?, organized by gallery Stigter Van Doesburg, Manifesta, Amsterdam, NL
In / Ex, curated by Vincent van Velzen, Castrum Peregrini, Amsterdam, NL
Manifesten, curated by Folkert de Jong, Museum Kranenburgh, Bergen, NL
White, Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
2014
(OFF)ICIELLE, with Anat Ebgi, Paris, FR
2013
The Tolerant Home, House ‘De vergulde Ster’, Amsterdam, NL
2012
It Might As Well Rain Until September, Diana Stigter, Amsterdam, NL
The Dutch Identity? Half Sugar, Half Sand, curated by Hanne Hagenaars, Museum De Paviljoens, Almere, NL
The Dutch Identity? The power of now, curated by Macha Roesink, Museum De Paviljoens, Almere, NL
Blood Sugar Sex Magik, The Company, Los Angeles, CA
2011
Collecting the Future, Sinop Prison, Sinop, TR
I Should Have Done That, NEST, Den Haag, NL
Arnhem Mode Biennale: Amie Dicke, Arnhem, NL
Salon/2: Amie Dicke, Museum van Loon, Amsterdam, NL
Opening Exhibition, Museum of Old and New Art, Tasmania, AU
2010
Saccharine, curated by Ana Finel Honigman, and Nadja Velben, Grimm Museum, Berlin, DE
Going International, The FLAG Art Foundation, New York, NY
Murakami Takashi kaikaikiki Collection - Western Europe Art Exhibition, KaiKai KiKi Gallery, TW
Get Behind Me Satan and Push, Peres Projects, Berlin, DE
The Library of Babel / In and Out of Place, curated by Anna-Catherina Gebbers, Zabludowicz Collection, London, UK
2009
Scherenschnitt - Kontur pur, Museum Bellerive, Museum für Gestaltung/Design Museum, Zurich, CH
Minneapolis, Peres Projects, Los Angeles, CA
Aura, Foundation Castrum Peregrini, curated by Michiel van Iersel, Amsterdam, NL
Ophelia, Sehnsucht, melancholie en doodsverlangen, Museum voor Moderne Kunst, Arnhem, NL
HARD/Soft, National Arts Club, New York City, US
Wall Rockets - Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York City, NY
Threealities, 1/9 unosunove, Rome, IT
2008
When It’s a Photograph, Otis College of Art and Design: Bolsky Gallery, Los Angeles, CA
Call it What You Like!, Collection Rik Reinking, Art Centre Silkeborg Bad, DK
SGOZZATA, curated by Margherita Belaief & John Kleckner, Peres Projects Kreuzberg, Berlin, DE
2007
Gravity’s Rainbow, Peres Projects, Athens, GR
Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, CH
An Archeology, Project Space 176, Zabludowicz Collection, London, UK
The Game of Multiple Meaning: Symbolism and the Art of the Present, curated by Ute Riese, Van der Heydt Museum, Wuppertal, DE
Blackberrying, curated by Sara Hatla Krogsgaard, Galleri Christina Wilson, Copenhagen, DK
2006
Art on Paper, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC
Sweet Ecstasy, Galerie Nicola von Senger, Zurich, CH
The Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle,Frankfurt, DE
2005
Gorgeous isn’t Good Enough, curated by Morgan Morris, Spazio Pirelli, Milan, IT
2004
Untitled Series: Pin up: Contemporary Collage and Drawing, curated by Emma Dexter and Susan May, Tate Modern, London, UK
The Stars of Track and Field are Beautiful People, curated by Javier Peres, Galeria Changing Role, Naples, IT
Axxxpresssunizm, curated by Mark Beasley and John Russell:Vilma Gold, London, UK
Véronique de Bellefroid & Bernard Prévot, Brussels, BE
Le Cabinet de Collage, D’Amelio Terras, New York City, NY
Cave Canem, John Connelly Presents, New York City, NY
2003
Hovering, Peres Projects, Los Angeles, CA
Models and Mavericks, Museum het Domein, Sittard, NL
Turbulence, curated by Mirjam Westen, Museum voor Moderne Kunst, Arnhem / Centre of Contemporary Art, Kiev, NL / UA
2002
Galerie Diana Stigter, (duo with Thijs Kauffman), Amsterdam, NL
Weke Delen , curated by Wilma Sütö, Museum Boijmans van Beuningen, Rotterdam, NL
2001
Haunted Hause of Horror, curated by Gabriël Lester, Stichting Outline, Amsterdam, NL
Masterly Video, Masterly Collected, De Kunsthal, Rotterdam, NL
2000
It is Strange to be so many Women, Galerie Diana Stigter / Ellen de Bruijne Projects, Amsterdam, NL

Press

2019
Alja Bakker, "Amie Dicke," Vogue NL, January 2019.
2018
Amie Dicke, "Selection and Removal," Lodown Radical Cut-Up, Fall 2018.
2017
Mark Smith, “Immateriality with Amie Dicke,” COS Magazine, Spring & Summer 2017.
2016
Anna van Leeuwen, “Soaps used as archaeological finds: Exhibition on impermanence,” deVolkskrant, June 1, 2016.
Alicia Eler, “Amie Dicke: Redundancies, Voids and Metaphors of the Real,” CraveOnline, June 2, 2016. (Link)
Federica Tattoli, “Quote Unquote, Amie Dicke,” Fruit of the Forest, May, 2016. Francesca Verga, “I love Aby Warburg’s ideas of reestablishing pathos,” Conceptual Fine Arts, January 12, 2016.
2015
“Inside the 17th Century headquarters of haute couture house Viktor & Rolf,” Vogue Living, December 2015. (Link)
2013
Leah Ollman, ”Critic’s Choice: Amie Dicke photographs as powerfully compromised objects,” L.A. Times, December 24, 2013. (Link)
Paul Laster, “Amie Dicke: Reimagining the world around us,” Arts Holland, December 16, 2013.
Francesca Gavin, “The Best New Female Fronted Shows,” DAZED Digital, November 27, 2013. (Link)
2012
Thija van Velzen, “Amie Dicke,” Freunde von Freunden, May 2, 2012. (Link)
Hans den Hartog Jager, "Tedere Vernietiging," Vogue NL, Winter 2012.
Marina de Vries, "Hallucinerende beeldencocktail," October 2012.
2011
Stephen Hoban, “Sculptural Relief,” S Magazine, January 1, 2011.
2010
Anat Ebgi, “Amie Dicke,” Flash Art, May 1, 2010. (Link)
2009
Ana Finel Honigman, “Consuming Beauty,” Sculpture, March 1, 2009.
Katerina Gregos, "Who's afraid of the F-word," BC, April 2009.
2008
Marta Galli, “Muse Magazine: Tender and Dark,” Muse Magazine, June 1, 2008.
Marta Galli, ”Tender and Dark,” I-D Magazine, June 1, 2008.
Aimee Walleston, “Amie Tokion: Surface Tension,” Amie Tokion, 2008.
2007
Ana Finel Honigman, “Artists’ Models,” British Vogue, April 1, 2007.
2006
Solve Sundsbo and Amie Dicke, "Something Just Fell Apart," Numero, March 2006.
Carmen Biker, “Der Fluch des Einhorns,” Berliner Zeitung, April 11, 2006.
Andreas Schlaegel, “Amie Dicke,” Der Tagesspiegel, March 25, 2006.
2005
Kate Sennert, "Paper Dolls," V Magazine, Winter 2005.
2004
Bethany Anne Pappalardo, "Amie Dicke," ARTFORUM, Fall 2004.
Ana Finel Honigman, “Amie Dicke: New Season, New Girls, New Look,” Modern Painters, December 1, 2004.
Nick Hackworth, "Skin Deep," Dazed and Confused, October 2004.

Publications

2015
First Conversation, Amie Dicke with K. Schippers, Ed. of 30, 2015.
2012
Nabelld (Aferimage), interview with Amie Dicke by Laura Stamps (Curator of Modern and Contemporary Art, Gemeentemuseum Den Haag), 2012.
2008
Right on Time, Flaunt Magazine, no. 97, 2008.
2005
Void, Fully illustrated catalogue, Artimo, 2005.