Amie Dicke’s work comprises a negotiation between everyday imagery and the validity of the whole of visual culture. Dicke prints images culled from various sources, from fashion magazines to Bauhaus catalogues, and charges them with a sense of physicality through dissolving the images from the paper. Elements are stripped back with sandpaper, caked in makeup, blotted with wine and surgically incised. Similar to her works with paper, Dicke’s “corrected artwork” series features panels coated with ink blown from ballpoint pens onto old artworks. Her abrasion and correction of established visual narrative attempts to both conceal an image while simultaneously deconstructing established visual cues, revealing alternate and new tactile experiences.
EXHIBITIONS
ONE-LINER, January 11 – February 16, 2020
Granpalazzo, May 27-28, 2017
Quote Unquote, April 30 – June 4, 2016
Collecting Alibis, November 16, 2013 – January 4, 2014
Amie Dicke
- 1978
- Born in Rotterdam, NL. Lives and works in Amsterdam.
Education
- 2000
- BFA, Willem de Kooning Academy of Fine Arts, Rotterdam, NL
Solo Exhibitions
- 2020
- ONE-LINER, Anat Ebgi, Los Angeles, CA
- 2019
- ONE-LINER, EENWERK, Amsterdam, NL
- 2017
- The Liver Must Go To The Images, Stigter Van Doesburg, Amsterdam, NL
- Political Horizon, Granpalazzo, with Anat Ebgi, Roma, IT
- 2016
- Sucking Stones, Looiersgracht, Amsterdam, NL
- Quote Unquote, Anat Ebgi, Los Angeles, CA
- 2013
- Collecting Alibis, Anat Ebgi, Los Angeles, CA
- Collecting Alibis, Stigter Van Doesburg, Amsterdam, NL
- 2012
- Nabeeld (Afterimage), GEM Museum of Contemporary Art, The Hague, NL
- After Goldschmidt, Foundation Castrum Peregrini, Amsterdam, NL
- 2010
- Connected Isolation, Hiromi Yoshii Gallery, Tokyo, JP
- 2008
- Passive Drifter, Peres Projects, Berlin, DE
- Infinitely suffering thing, Peres Projects, Los Angeles, CA
- 2006
- Violent Contradiction, Galerie Diana Stigter, Amsterdam, NL Private Property, Peres Projects, Berlin, DE
- 2005
- Verwilder, Visionaire Gallery, New York, USA That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
- That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
- 2004
- Void, Galerie Diana Stigter, Amsterdam, NL New Season, New Girls, New Looks, D’Amelio Terras, New York, USA
- New Season, New Girls, New Looks, D'Amelio Terras, New York, NY
- Downwards, Fries Museum, Buro Leeuwarden, Leeuwarden, NL
- 2003
- Sensual Sadness, Peres Projects, Los Angeles, CA
Group Exhibitions
- 2021
- Pt. 2: Invasive Species, Anat Ebgi, Los Angeles, CA
- 2020
- The Armory Show, with Anat Ebgi, New York, NY
- 2019
- The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
- 2018
- BIC Collection, Centquatre, Paris, FR
- Who are we again?, Arti et Amicitiae in Amsterdam, NL
- 2017
- White Covers, a selection from the collection of Frederic De Goldschmidt, Brussels, BY
- Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
- 2016
- Autre Visage, Pôle Image Haute-Normandie/Centre Photographique, Rouen, FR
- Once in a Lifetime, Oude Kerk, Amsterdam, NL
- 2015
- Intimacy / Chambres d'Amis, curated by Valentin Byvank, Marres (House for Contemporary Culture), Maastricht, NL
- How Soon is Now?, organized by gallery Stigter Van Doesburg, Manifesta, Amsterdam, NL
- In / Ex, curated by Vincent van Velzen, Castrum Peregrini, Amsterdam, NL
- Manifesten, curated by Folkert de Jong, Museum Kranenburgh, Bergen, NL
- White, Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
- 2014
- (OFF)ICIELLE, with Anat Ebgi, Paris, FR
- 2013
- The Tolerant Home, House ‘De vergulde Ster’, Amsterdam, NL
- 2012
- It Might As Well Rain Until September, Diana Stigter, Amsterdam, NL
- The Dutch Identity? Half Sugar, Half Sand, curated by Hanne Hagenaars, Museum De Paviljoens, Almere, NL
- The Dutch Identity? The power of now, curated by Macha Roesink, Museum De Paviljoens, Almere, NL
- Blood Sugar Sex Magik, The Company, Los Angeles, CA
- 2011
- Collecting the Future, Sinop Prison, Sinop, TR
- I Should Have Done That, NEST, Den Haag, NL
- Arnhem Mode Biennale: Amie Dicke, Arnhem, NL
- Salon/2: Amie Dicke, Museum van Loon, Amsterdam, NL
- Opening Exhibition, Museum of Old and New Art, Tasmania, AU
- 2010
- Saccharine, curated by Ana Finel Honigman, and Nadja Velben, Grimm Museum, Berlin, DE
- Going International, The FLAG Art Foundation, New York, NY
- Murakami Takashi kaikaikiki Collection - Western Europe Art Exhibition, KaiKai KiKi Gallery, TW
- Get Behind Me Satan and Push, Peres Projects, Berlin, DE
- The Library of Babel / In and Out of Place, curated by Anna-Catherina Gebbers, Zabludowicz Collection, London, UK
- 2009
- Scherenschnitt - Kontur pur, Museum Bellerive, Museum für Gestaltung/Design Museum, Zurich, CH
- Minneapolis, Peres Projects, Los Angeles, CA
- Aura, Foundation Castrum Peregrini, curated by Michiel van Iersel, Amsterdam, NL
- Ophelia, Sehnsucht, melancholie en doodsverlangen, Museum voor Moderne Kunst, Arnhem, NL
- HARD/Soft, National Arts Club, New York City, US
- Wall Rockets - Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York City, NY
- Threealities, 1/9 unosunove, Rome, IT
- 2008
- When It’s a Photograph, Otis College of Art and Design: Bolsky Gallery, Los Angeles, CA
- Call it What You Like!, Collection Rik Reinking, Art Centre Silkeborg Bad, DK
- SGOZZATA, curated by Margherita Belaief & John Kleckner, Peres Projects Kreuzberg, Berlin, DE
- 2007
- Gravity’s Rainbow, Peres Projects, Athens, GR
- Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, CH
- An Archeology, Project Space 176, Zabludowicz Collection, London, UK
- The Game of Multiple Meaning: Symbolism and the Art of the Present, curated by Ute Riese, Van der Heydt Museum, Wuppertal, DE
- Blackberrying, curated by Sara Hatla Krogsgaard, Galleri Christina Wilson, Copenhagen, DK
- 2006
- Art on Paper, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC
- Sweet Ecstasy, Galerie Nicola von Senger, Zurich, CH
- The Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle,Frankfurt, DE
- 2005
- Gorgeous isn’t Good Enough, curated by Morgan Morris, Spazio Pirelli, Milan, IT
- 2004
- Untitled Series: Pin up: Contemporary Collage and Drawing, curated by Emma Dexter and Susan May, Tate Modern, London, UK
- The Stars of Track and Field are Beautiful People, curated by Javier Peres, Galeria Changing Role, Naples, IT
- Axxxpresssunizm, curated by Mark Beasley and John Russell:Vilma Gold, London, UK
- Véronique de Bellefroid & Bernard Prévot, Brussels, BE
- Le Cabinet de Collage, D’Amelio Terras, New York City, NY
- Cave Canem, John Connelly Presents, New York City, NY
- 2003
- Hovering, Peres Projects, Los Angeles, CA
- Models and Mavericks, Museum het Domein, Sittard, NL
- Turbulence, curated by Mirjam Westen, Museum voor Moderne Kunst, Arnhem / Centre of Contemporary Art, Kiev, NL / UA
- 2002
- Galerie Diana Stigter, (duo with Thijs Kauffman), Amsterdam, NL
- Weke Delen , curated by Wilma Sütö, Museum Boijmans van Beuningen, Rotterdam, NL
- 2001
- Haunted Hause of Horror, curated by Gabriël Lester, Stichting Outline, Amsterdam, NL
- Masterly Video, Masterly Collected, De Kunsthal, Rotterdam, NL
- 2000
- It is Strange to be so many Women, Galerie Diana Stigter / Ellen de Bruijne Projects, Amsterdam, NL
Press
- 2019
- Alja Bakker, "Amie Dicke," Vogue NL, January 2019.
- 2018
- Amie Dicke, "Selection and Removal," Lodown Radical Cut-Up, Fall 2018.
- 2017
- Mark Smith, “Immateriality with Amie Dicke,” COS Magazine, Spring & Summer 2017.
- 2016
- Anna van Leeuwen, “Soaps used as archaeological finds: Exhibition on impermanence,” deVolkskrant, June 1, 2016.
- Alicia Eler, “Amie Dicke: Redundancies, Voids and Metaphors of the Real,” CraveOnline, June 2, 2016. (Link)
- Federica Tattoli, “Quote Unquote, Amie Dicke,” Fruit of the Forest, May, 2016. Francesca Verga, “I love Aby Warburg’s ideas of reestablishing pathos,” Conceptual Fine Arts, January 12, 2016.
- 2015
- “Inside the 17th Century headquarters of haute couture house Viktor & Rolf,” Vogue Living, December 2015. (Link)
- 2013
- Leah Ollman, ”Critic’s Choice: Amie Dicke photographs as powerfully compromised objects,” L.A. Times, December 24, 2013. (Link)
- Paul Laster, “Amie Dicke: Reimagining the world around us,” Arts Holland, December 16, 2013.
- Francesca Gavin, “The Best New Female Fronted Shows,” DAZED Digital, November 27, 2013. (Link)
- 2012
- Thija van Velzen, “Amie Dicke,” Freunde von Freunden, May 2, 2012. (Link)
- Hans den Hartog Jager, "Tedere Vernietiging," Vogue NL, Winter 2012.
- Marina de Vries, "Hallucinerende beeldencocktail," October 2012.
- 2011
- Stephen Hoban, “Sculptural Relief,” S Magazine, January 1, 2011.
- 2010
- Anat Ebgi, “Amie Dicke,” Flash Art, May 1, 2010. (Link)
- 2009
- Ana Finel Honigman, “Consuming Beauty,” Sculpture, March 1, 2009.
- Katerina Gregos, "Who's afraid of the F-word," BC, April 2009.
- 2008
- Marta Galli, “Muse Magazine: Tender and Dark,” Muse Magazine, June 1, 2008.
- Marta Galli, ”Tender and Dark,” I-D Magazine, June 1, 2008.
- Aimee Walleston, “Amie Tokion: Surface Tension,” Amie Tokion, 2008.
- 2007
- Ana Finel Honigman, “Artists’ Models,” British Vogue, April 1, 2007.
- 2006
- Solve Sundsbo and Amie Dicke, "Something Just Fell Apart," Numero, March 2006.
- Carmen Biker, “Der Fluch des Einhorns,” Berliner Zeitung, April 11, 2006.
- Andreas Schlaegel, “Amie Dicke,” Der Tagesspiegel, March 25, 2006.
- 2005
- Kate Sennert, "Paper Dolls," V Magazine, Winter 2005.
- 2004
- Bethany Anne Pappalardo, "Amie Dicke," ARTFORUM, Fall 2004.
- Ana Finel Honigman, “Amie Dicke: New Season, New Girls, New Look,” Modern Painters, December 1, 2004.
- Nick Hackworth, "Skin Deep," Dazed and Confused, October 2004.
Publications
- 2015
- First Conversation, Amie Dicke with K. Schippers, Ed. of 30, 2015.
- 2012
- Nabelld (Aferimage), interview with Amie Dicke by Laura Stamps (Curator of Modern and Contemporary Art, Gemeentemuseum Den Haag), 2012.
- 2008
- Right on Time, Flaunt Magazine, no. 97, 2008.
- 2005
- Void, Fully illustrated catalogue, Artimo, 2005.
Sandpaper abrasion on archival print mounted on aluminum, framed 30 ¹⁄₄ x 23 ¹⁄₄ inches / 77 x 59 cm
Sandpaper abrasion on archival print mounted on aluminum, framed 45 ¹⁄₄ x 35 ³⁄₄ inches / 115 x 91 cm
Sandpaper abrasion on archival digital print, framed 45.25 x 34 inches / 114.9 x 86.4 cm
Unique
Sandpaper abrasion on archival print mounted on aluminum, framed 45.25 x 34 inches / 114.9 x 86.4 cm
Unique
Crayon on archival print, mounted on aluminum (framed without glass) 15 x 10.25 inches / 38 x 26 cm
Cosmetic foundation painted on digital print on archival paper, mounted on aluminum, framed 13.5 x 10.5 inches / 34 x 27 cm
Sublimation print on aluminum, 27.5 x 47.25 inches / 69.9 x 120 cm
Sublimation print on aluminum 47 x 36.75 inches / 119.4 x 93.4 cm
Sublimation print on aluminum 47.25 x 36.75 inches / 120 x 93.4 cm
Sandpaper abrasion on sublimation print on aluminum 31.5 x 20 inches / 80 x 50.8 cm Unique
Digital print on archival paper, mounted on aluminum, framed 13.5 x 10.25 inches / 34.3 x 26 cm Unique
Digital print on archival paper, mounted on aluminum, framed 15 x 34 inches / 38.1 x 86.4 cm Unique
Digital print on archival paper, mounted on aluminum, framed 13.5 x 10.25 inches / 34.3 x 26 cm Unique
P. 67, 2017
Sandpaper abrasion on archival digital print
135 x 178 cm
Unique
Polical Horizon , 2017
Sandpaper abrasion on archival digital print
160 x 196 x 10cm framed
Unique
The Daughter, 2015
Sandpaper abrasion on print
54 x 36 inches
The Family, 2015
Sandpaper abrasion on print
54 x 36 inches
Quote Unquote, Installation view, 2016
Quote Unquote, Installation view, 2016
Quote Unquote, Installation view, 2016
BIOGRAPHY
Amie Dicke’s work comprises a negotiation between everyday imagery and the validity of the whole of visual culture. Dicke prints images culled from various sources, from fashion magazines to Bauhaus catalogues, and charges them with a sense of physicality through dissolving the images from the paper. Elements are stripped back with sandpaper, caked in makeup, blotted with wine and surgically incised. Similar to her works with paper, Dicke’s “corrected artwork” series features panels coated with ink blown from ballpoint pens onto old artworks. Her abrasion and correction of established visual narrative attempts to both conceal an image while simultaneously deconstructing established visual cues, revealing alternate and new tactile experiences.
EXHIBITIONS
ONE-LINER, January 11 – February 16, 2020
Granpalazzo, May 27-28, 2017
Quote Unquote, April 30 – June 4, 2016
Collecting Alibis, November 16, 2013 – January 4, 2014
CV
Amie Dicke
- 1978
- Born in Rotterdam, NL. Lives and works in Amsterdam.
Education
- 2000
- BFA, Willem de Kooning Academy of Fine Arts, Rotterdam, NL
Solo Exhibitions
- 2020
- ONE-LINER, Anat Ebgi, Los Angeles, CA
- 2019
- ONE-LINER, EENWERK, Amsterdam, NL
- 2017
- The Liver Must Go To The Images, Stigter Van Doesburg, Amsterdam, NL
- Political Horizon, Granpalazzo, with Anat Ebgi, Roma, IT
- 2016
- Sucking Stones, Looiersgracht, Amsterdam, NL
- Quote Unquote, Anat Ebgi, Los Angeles, CA
- 2013
- Collecting Alibis, Anat Ebgi, Los Angeles, CA
- Collecting Alibis, Stigter Van Doesburg, Amsterdam, NL
- 2012
- Nabeeld (Afterimage), GEM Museum of Contemporary Art, The Hague, NL
- After Goldschmidt, Foundation Castrum Peregrini, Amsterdam, NL
- 2010
- Connected Isolation, Hiromi Yoshii Gallery, Tokyo, JP
- 2008
- Passive Drifter, Peres Projects, Berlin, DE
- Infinitely suffering thing, Peres Projects, Los Angeles, CA
- 2006
- Violent Contradiction, Galerie Diana Stigter, Amsterdam, NL Private Property, Peres Projects, Berlin, DE
- 2005
- Verwilder, Visionaire Gallery, New York, USA That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
- That Fiery Girl, Hiromi Yoshii Gallery, Tokyo, JP
- 2004
- Void, Galerie Diana Stigter, Amsterdam, NL New Season, New Girls, New Looks, D’Amelio Terras, New York, USA
- New Season, New Girls, New Looks, D'Amelio Terras, New York, NY
- Downwards, Fries Museum, Buro Leeuwarden, Leeuwarden, NL
- 2003
- Sensual Sadness, Peres Projects, Los Angeles, CA
Group Exhibitions
- 2021
- Pt. 2: Invasive Species, Anat Ebgi, Los Angeles, CA
- 2020
- The Armory Show, with Anat Ebgi, New York, NY
- 2019
- The Conversation, Anat Ebgi at Minnesota Street Project, San Francisco, CA
- 2018
- BIC Collection, Centquatre, Paris, FR
- Who are we again?, Arti et Amicitiae in Amsterdam, NL
- 2017
- White Covers, a selection from the collection of Frederic De Goldschmidt, Brussels, BY
- Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
- 2016
- Autre Visage, Pôle Image Haute-Normandie/Centre Photographique, Rouen, FR
- Once in a Lifetime, Oude Kerk, Amsterdam, NL
- 2015
- Intimacy / Chambres d'Amis, curated by Valentin Byvank, Marres (House for Contemporary Culture), Maastricht, NL
- How Soon is Now?, organized by gallery Stigter Van Doesburg, Manifesta, Amsterdam, NL
- In / Ex, curated by Vincent van Velzen, Castrum Peregrini, Amsterdam, NL
- Manifesten, curated by Folkert de Jong, Museum Kranenburgh, Bergen, NL
- White, Art Los Angeles Contemporary, with Anat Ebgi, Los Angeles, CA
- 2014
- (OFF)ICIELLE, with Anat Ebgi, Paris, FR
- 2013
- The Tolerant Home, House ‘De vergulde Ster’, Amsterdam, NL
- 2012
- It Might As Well Rain Until September, Diana Stigter, Amsterdam, NL
- The Dutch Identity? Half Sugar, Half Sand, curated by Hanne Hagenaars, Museum De Paviljoens, Almere, NL
- The Dutch Identity? The power of now, curated by Macha Roesink, Museum De Paviljoens, Almere, NL
- Blood Sugar Sex Magik, The Company, Los Angeles, CA
- 2011
- Collecting the Future, Sinop Prison, Sinop, TR
- I Should Have Done That, NEST, Den Haag, NL
- Arnhem Mode Biennale: Amie Dicke, Arnhem, NL
- Salon/2: Amie Dicke, Museum van Loon, Amsterdam, NL
- Opening Exhibition, Museum of Old and New Art, Tasmania, AU
- 2010
- Saccharine, curated by Ana Finel Honigman, and Nadja Velben, Grimm Museum, Berlin, DE
- Going International, The FLAG Art Foundation, New York, NY
- Murakami Takashi kaikaikiki Collection - Western Europe Art Exhibition, KaiKai KiKi Gallery, TW
- Get Behind Me Satan and Push, Peres Projects, Berlin, DE
- The Library of Babel / In and Out of Place, curated by Anna-Catherina Gebbers, Zabludowicz Collection, London, UK
- 2009
- Scherenschnitt - Kontur pur, Museum Bellerive, Museum für Gestaltung/Design Museum, Zurich, CH
- Minneapolis, Peres Projects, Los Angeles, CA
- Aura, Foundation Castrum Peregrini, curated by Michiel van Iersel, Amsterdam, NL
- Ophelia, Sehnsucht, melancholie en doodsverlangen, Museum voor Moderne Kunst, Arnhem, NL
- HARD/Soft, National Arts Club, New York City, US
- Wall Rockets - Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York City, NY
- Threealities, 1/9 unosunove, Rome, IT
- 2008
- When It’s a Photograph, Otis College of Art and Design: Bolsky Gallery, Los Angeles, CA
- Call it What You Like!, Collection Rik Reinking, Art Centre Silkeborg Bad, DK
- SGOZZATA, curated by Margherita Belaief & John Kleckner, Peres Projects Kreuzberg, Berlin, DE
- 2007
- Gravity’s Rainbow, Peres Projects, Athens, GR
- Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, CH
- An Archeology, Project Space 176, Zabludowicz Collection, London, UK
- The Game of Multiple Meaning: Symbolism and the Art of the Present, curated by Ute Riese, Van der Heydt Museum, Wuppertal, DE
- Blackberrying, curated by Sara Hatla Krogsgaard, Galleri Christina Wilson, Copenhagen, DK
- 2006
- Art on Paper, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC
- Sweet Ecstasy, Galerie Nicola von Senger, Zurich, CH
- The Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle,Frankfurt, DE
- 2005
- Gorgeous isn’t Good Enough, curated by Morgan Morris, Spazio Pirelli, Milan, IT
- 2004
- Untitled Series: Pin up: Contemporary Collage and Drawing, curated by Emma Dexter and Susan May, Tate Modern, London, UK
- The Stars of Track and Field are Beautiful People, curated by Javier Peres, Galeria Changing Role, Naples, IT
- Axxxpresssunizm, curated by Mark Beasley and John Russell:Vilma Gold, London, UK
- Véronique de Bellefroid & Bernard Prévot, Brussels, BE
- Le Cabinet de Collage, D’Amelio Terras, New York City, NY
- Cave Canem, John Connelly Presents, New York City, NY
- 2003
- Hovering, Peres Projects, Los Angeles, CA
- Models and Mavericks, Museum het Domein, Sittard, NL
- Turbulence, curated by Mirjam Westen, Museum voor Moderne Kunst, Arnhem / Centre of Contemporary Art, Kiev, NL / UA
- 2002
- Galerie Diana Stigter, (duo with Thijs Kauffman), Amsterdam, NL
- Weke Delen , curated by Wilma Sütö, Museum Boijmans van Beuningen, Rotterdam, NL
- 2001
- Haunted Hause of Horror, curated by Gabriël Lester, Stichting Outline, Amsterdam, NL
- Masterly Video, Masterly Collected, De Kunsthal, Rotterdam, NL
- 2000
- It is Strange to be so many Women, Galerie Diana Stigter / Ellen de Bruijne Projects, Amsterdam, NL
Press
- 2019
- Alja Bakker, "Amie Dicke," Vogue NL, January 2019.
- 2018
- Amie Dicke, "Selection and Removal," Lodown Radical Cut-Up, Fall 2018.
- 2017
- Mark Smith, “Immateriality with Amie Dicke,” COS Magazine, Spring & Summer 2017.
- 2016
- Anna van Leeuwen, “Soaps used as archaeological finds: Exhibition on impermanence,” deVolkskrant, June 1, 2016.
- Alicia Eler, “Amie Dicke: Redundancies, Voids and Metaphors of the Real,” CraveOnline, June 2, 2016. (Link)
- Federica Tattoli, “Quote Unquote, Amie Dicke,” Fruit of the Forest, May, 2016. Francesca Verga, “I love Aby Warburg’s ideas of reestablishing pathos,” Conceptual Fine Arts, January 12, 2016.
- 2015
- “Inside the 17th Century headquarters of haute couture house Viktor & Rolf,” Vogue Living, December 2015. (Link)
- 2013
- Leah Ollman, ”Critic’s Choice: Amie Dicke photographs as powerfully compromised objects,” L.A. Times, December 24, 2013. (Link)
- Paul Laster, “Amie Dicke: Reimagining the world around us,” Arts Holland, December 16, 2013.
- Francesca Gavin, “The Best New Female Fronted Shows,” DAZED Digital, November 27, 2013. (Link)
- 2012
- Thija van Velzen, “Amie Dicke,” Freunde von Freunden, May 2, 2012. (Link)
- Hans den Hartog Jager, "Tedere Vernietiging," Vogue NL, Winter 2012.
- Marina de Vries, "Hallucinerende beeldencocktail," October 2012.
- 2011
- Stephen Hoban, “Sculptural Relief,” S Magazine, January 1, 2011.
- 2010
- Anat Ebgi, “Amie Dicke,” Flash Art, May 1, 2010. (Link)
- 2009
- Ana Finel Honigman, “Consuming Beauty,” Sculpture, March 1, 2009.
- Katerina Gregos, "Who's afraid of the F-word," BC, April 2009.
- 2008
- Marta Galli, “Muse Magazine: Tender and Dark,” Muse Magazine, June 1, 2008.
- Marta Galli, ”Tender and Dark,” I-D Magazine, June 1, 2008.
- Aimee Walleston, “Amie Tokion: Surface Tension,” Amie Tokion, 2008.
- 2007
- Ana Finel Honigman, “Artists’ Models,” British Vogue, April 1, 2007.
- 2006
- Solve Sundsbo and Amie Dicke, "Something Just Fell Apart," Numero, March 2006.
- Carmen Biker, “Der Fluch des Einhorns,” Berliner Zeitung, April 11, 2006.
- Andreas Schlaegel, “Amie Dicke,” Der Tagesspiegel, March 25, 2006.
- 2005
- Kate Sennert, "Paper Dolls," V Magazine, Winter 2005.
- 2004
- Bethany Anne Pappalardo, "Amie Dicke," ARTFORUM, Fall 2004.
- Ana Finel Honigman, “Amie Dicke: New Season, New Girls, New Look,” Modern Painters, December 1, 2004.
- Nick Hackworth, "Skin Deep," Dazed and Confused, October 2004.
Publications
- 2015
- First Conversation, Amie Dicke with K. Schippers, Ed. of 30, 2015.
- 2012
- Nabelld (Aferimage), interview with Amie Dicke by Laura Stamps (Curator of Modern and Contemporary Art, Gemeentemuseum Den Haag), 2012.
- 2008
- Right on Time, Flaunt Magazine, no. 97, 2008.
- 2005
- Void, Fully illustrated catalogue, Artimo, 2005.