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Carrie Moyer

Carrie Moyer

1960
Born in Redford Township, MI
Lives and works in Brooklyn, NY

Education

2001
MFA, Bard College, Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
1995
Skowhegan School of Painting and Sculpture, Madison, ME
1990
MA, New York Institute of Technology, New York, NY
1985
BFA, Pratt Institute, New York, NY

Selected Solo Exhibitions

2016
Carrie Moyer: Sirens, DC Moore Gallery, New York, NY
Carrie Moyer and Sheila Pepe, The Suburban, Milwaukee, WI
2014
Carrie Moyer: Pirate Jenny, SCAD Museum of Art, Savannah, GA
Carrie Moyer: Pirate Jenny, Canzani Center Gallery, Columbus College of Art and Design, Columbus, OH
2013
Carrie Moyer: Pirate Jenny, Tang Museum, Skidmore College, Saratoga Springs, NY
2012
Carrie Moyer & Les Rogers, Galerie Suzanne Tarasieve, Paris, France
Carrie Moyer: Interstellar, Worcester Art Museum, Worcester, MA
2011
Canonical, CANADA, New York, NY
2009
Arcana, CANADA, New York, NY
Carrie Moyer: Painting Propaganda, American University Museum at the Katzen Center for the Arts, American University, Washington, D.C.
2007
The Stone Age, CANADA, New York, NY
Project: Rendition, Momenta Art, Brooklyn, NY
Black Gold, rowlandcontemporary, Chicago, IL
Black Gold, Hunt Gallery, Mary Baldwin College, Staunton, VA
2006
Carrie Moyer and Diana Puntar, Samson Projects, Boston, MA
2004
Two Women: Carrie Moyer and Sheila Pepe, Palm Beach ICA, Palm Beach, FL
Sister Resister, Diverseworks, Houston, TX
Façade Project, Triple Candie, New York, NY
2003
Chromafesto, CANADA, New York, NY
2002
Hail Comrade! Debs & Co., New York, NY
The Bard Paintings, Gallery @ Green Street, Boston, MA
Meat Cloud, Debs & Co., New York, NY
Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center for the Arts, San Francisco, CA; Diverseworks, Houston, TX
2000
God’s Army, Debs & Co., New York, NY

Selected Group Exhibitions

2017
Whitney Biennial, Whitney Museum of American Art, New York, NY
2016
Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens, Franklin Street Works, Stamford, CT
Queering Space, Yale School of Art, New Haven, CT
The Humanism of Abstraction, the Dedalus Foundation, Brooklyn, NY
2015
Agitprop!, Brooklyn Museum, NY
Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, MA
The Three Graces: Polly Apfelbaum, Tony Feher, and Carrie Moyer, Everson Museum of Art, Syracuse, NY
When Artists Speak Truth…, The 8th Floor, Shelley & Donald Rubin Foundation, New York, NY
Here We LTTR: 2002-2008, Tensta Konstall, Spånga, Sweden
Love Child, Ortega Y Gasset, Brooklyn, NY
Rough Cut, Morgan Lehman Gallery, New York, NY
Oysters With Lemons: An Exhibition in Three Parts, Ventana 244, Brooklyn, NY
From Now On In, Brian Morris Gallery, New York, NY
Multiverse, DC Moore Gallery, New York, NY
The Abstract Body, New Hampshire Institute of Art, Manchester, NH
2014
NOW-ism: Abstraction Today, Pizzuti Collection, Columbus, OH
Art and Activism: Kunst und politischer Aktivismus in NY, Mannheimer Kunstverein, Mannheim, Germany
Artist Activists, Mary S. Byrd Gallery, Georgia Regents University, Augusta, GA
Permanency: Selections from the Permanent Collection, Leslie Lohman Museum of Gay and Lesbian Art, New York, NY
30 Years of Printmaking: James Stroud and the Center Street Studio, Grimshaw-Gudewicz Gallery, Bristol Community College, Fall River, MA
2013
Come Together: Surviving Sandy, Industry City, Brooklyn, NY
Pour, University Galleries, Florida Atlantic University, Boca Raton, FL; traveled to Aysa Geisberg and Lesley Heller Workspace, New York, NY
After My Own Heart, Oakville Galleries, Oakville, Ontario, Canada
The White Album, Louis B. James, New York, NY
2012
Simpatico, Boston University Art Gallery, Boston, NY
Beasts of Revelation, DC Moore Gallery, New York, NY
B-Out, Andrew Edlin Gallery, New York, NY
Pratt Alumni Painters, Pratt Manhattan Gallery, New York, NY
Risk and Reward, Foster Gallery, University of Wisconsin-Eau Claire, Eau Claire, WI
Five by Five: Tom Burkhardt, Carrie Moyer, Kanishka Raja, Jane South, Sarah Walker, DC Moore Gallery, New York, NY
2011
A Painting Show, Harris Lieberman, New York, NY
Affinities: Painting in Abstraction, D’Ameilo Terras, New York, NY
2010
The Jewel Thief, Tang Teaching Museum, Skidmore College, Saratoga Springs, NY
Pictures Hold Us Captive: Carrie Moyer & Jered Sprecher, Downtown Gallery, University of Tennessee, Knoxville, TN
The Exquisite Corpse Project, Klemens Gasser & Tania Grunert, New York, NY
Ultrasonic IV: It’s Only Natural, Mark Moore Gallery, Santa Monica, CA
Vivid: Female Currents in Painting, Schroeder Romero & Shredder, New York, NY
Curated by Daniel Hesidence, Tracy Williams Ltd., New York, NY
On PTG, Julius Caesar, Chicago, IL
Raw State, 222 Shelby Street Gallery, Santa Fe, NM
Love Never Dies, Form+Content Gallery, Minneapolis, MN
2009
Don’t Perish, Leo Koenig Inc. Projekte, New York, NY
Artists Take Chicago, The Suburban @ Hyde Park Art Center, Chicago, IL
Yo Mama: Sheila Pepe and Friends, Naomi Arin Contemporary Art, Las Vegas, NV
One Loses One’s Classics, White Flag Projects, St. Louis, MO
Infinite Possibilities, Momenta Art, Brooklyn, NY
2008
That Was Then…This Is Now, PS1/MoMA, Long Island City, NY
The Future Must Be Sweet — Lower East Side Printshop Celebrates 40 Years, International Print Center New York, NY
Freeze Frame, Thrust Projects, New York, NY
Duck Soup, La Mama Galleria, New York, NY
Convergences/Center Street Studio, Galerie Mourlot, New York, NY
Unnameable Things, Artspace, New Haven, CT
Reclaiming the “F” Word: Posters on International Feminisms, California State University, Northridge, CA
Break the Rules! Sammlung Hieber/Theising, Mannheimer Kunstverein, Mannheim, Germany
Publishing Prints: Selections from the Center Street Studio Archive, Lila and Joel Harnett Museum of Art, University of Richmond, Richmond VA
2007
Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer, and Lara Schnitger, Mills College Art Museum, Oakland, CA
Quiet Riot, March Gallery, New York, NY
Late Liberties, John Connelly Presents, New York, NY
Shared Women, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
Beauty Is In the Streets, Mason Gross School of the Arts Galleries, Rutgers University, New Brunswick, NJ
Affinities: Painting in Abstraction, CCS Galleries, Hessel Museum, Bard College, Annandale-on-Hudson, NY
Absolute Abstraction, Judy Ann Goldman Fine Arts, Boston, MA
New Prints/Spring 2007, IPCNY/International Print Center New York, New York, NY
Mother, May I? Campbell Soady Gallery, the Lesbian and Gay Community Center, New York, NY
Hot and Cold: Abstract Prints from the Center Street Studio, Trustman Art Gallery, Simmons College, Boston, MA
Fragments of Change, Ernst Rubenstein Gallery, Educational Alliance, New York, NY
2006
Group Exhibition, Marlborough Chelsea, New York, NY
Pa•per•ing, Deutsche Bank, New York, NY
When Artists Say We, Artists Space, New York, NY
Ridykeulous, Participant, Inc., New York, NY
Do You Think I’m Disco? Longwood Art Gallery, Bronx, NY
2005
BAM Next Next Visual Art, Brooklyn Academy of Music, Brooklyn, NY
Around About Abstraction, Weatherspoon Art Museum, Greensboro, NC
New York’s Finest, CANADA, New York, NY
2005 ev+a, Limerick, Ireland
Dissent, SPACES, Cleveland, OH
USA, Hoy: Pintura y Escultura, Galeria Marlborough, Madrid, Spain
Chelsea Group Exhibition, Marlborough Chelsea, New York, NY
New Prints 2005/Winter, IPCNY/International Print Center New York, New York, NY
Twofold: Collaborations on Campus, Richard L. Nelson Gallery & Fine Arts Collection, Univ. of California, Davis, CA
2004
Republican Like Me, Parlour Projects, Brooklyn, NY
About Painting, Tang Teaching Museum, Skidmore College, Saratoga Springs, NY
LTTR Explosion, Art in General, New York, NY
Watch What We Say, Schroeder Romero, Brooklyn, NY
Cakewalk, Ambrosino Gallery, Miami, FL
Timeless/Timeliness, Aljira Contemporary Arts Center, Newark, NJ
2003
Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts, New York, NY
Illegal Art: Freedom of Expression in the Corporate Age, CBGB’s 313 Gallery, New York, NY; SFMOMA Artist Gallery, San Francisco, CA (traveling exhibition)
Adventures in Abstraction, Judy Ann Goldman Fine Art, Boston, MA
Art Against Apathy, Zmelt, Amsterdam, the Netherlands
2002
Unjustified, Apexart, New York, NY
2001
Artist-In-Residence Biennial, Ewing Gallery, University of Tennessee, Knoxville, TN
Queer Commodity, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia
Raw Womyn, Athens Institute of Contemporary Art, Athens, GA
Stand Up Dick & Jane, Project Arts Centre, Dublin, Ireland
Smile, Here, New York, NY
Beyond the Center, Bard College, Red Hook, NY
2001 MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard College, Red Hook, NY
2000
The Hissing of Summer Lawns, Debs & Co., New York, NY
The Biggest Games in Town, Künstlerwerkstatt Lothringer Strasse, Munich, Germany
The Color of Friendship, Shedhalle, Zürich, Switzerland
1999
Free Coke, Greene Naftali, New York, NY
Gender Trouble, Neuer Aachener Kunstverein, Aachen, Germany
Close to You, Gallery @ Green Street, Boston, MA
Size Matters, GALE Gates, Brooklyn, NY
Jahresgaben 1999, Neuer Aachener Kunstverein, Aachen, Germany
Zone of Risibility, Rotunda Gallery, Brooklyn, NY
1998
Message To Pretty, Threadwaxing Space, New York, NY
Summer Show, Debs & Co., New York, NY
Freedom, Liberation and Change: Revisiting 1968, Longwood Arts Gallery, Bronx, NY
1997
Vraiment: Féminisme et Art, Le Magasin, Centre National D’Art Contemporain de Grenoble, France
Revolution Girl-Style, Messepalast/Museumquartier, Vienna, Austria
The 21st Annual National/International Studio Artists Exhibition, PS1/Institute for Contemporary Art, New York, NY
Hollywood Premiere, Hollywood Premiere Motel, Los Angeles, CA
Patriotism, The Lab, San Francisco, CA
1996
Mixing Messages: Graphic Design in Contemporary Culture, Cooper-Hewitt National Design Museum, New York, NY
Gender, Fucked, Center on Contemporary Art, Seattle, WA
Portraiture, White Columns, New York, NY
Counterculture: Alternative Information from the Underground Press to the Internet, Exit Art/The First World, New York, NY
1995
In A Different Light, University Art Museum, Berkeley, CA
Printed at the Lower East Side Printshop: 30 Artists, La Mama Galleria, New York, NY
You Are Missing Plenty If You Don’t Buy Here: Images of Consumerism in American Photography, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
Re-Configuring the Figure, Creative Arts Workshop, New Haven, CT
Copy-Art, Oldenburg University, Oldenburg, Germany
1994
Amendments, Hallwalls, Buffalo, NY
Becoming Visible: The Legacy of Stonewall, New York Public Library, New York, NY
No More Nice Girls, ABC No Rio, New York , NY
Paperworks: Prints From the Lower Eastside Printshop, Rockland Community College, NY
1993
SILENCE=DEATH, Münchner Stadtmuseum, Munich and Hygiene-Museum, Dresden, Germany
Kunst und AIDS, International AIDS Conference, Berlin, Germany

Awards, Fellowships, and Grants

2016
Joan Mitchell Center Artist-In-Residence, New Orleans, LA
2013
Guggenheim Fellowship in Painting
Residency, MacDowell Colony, Peterborough, NH
2011
Residency, Yaddo, Saratoga Springs, NY
Residency, MacDowell Colony, Peterborough, NH
2010
Elected to Board of Governors, Skowhegan School of Painting and Sculpture
2009
Joan Mitchell Foundation, Painters and Sculptors Grant
Anonymous Was A Woman Award
2008
Artist Pension Trust, New York, NY
2004
Pennies from Heaven Grant, New York Community Trust
Special Editions Fellowship, Lower East Side Printshop
2003
BCAT/Rotunda Gallery Joint Multimedia Residency
2002
Aljira Emerge 2003, Professional Development Fellowship
Wattis Artist Residency, Yerba Buena Center for the Arts, San Francisco, CA
2001
Elaine de Kooning Memorial Fellowship, Bard College
New York State Council on the Arts, Independent Artist Grant
2000
Creative Capital Foundation Grant
Franklin Furnace The Future of the Present Grant
Amazon Autumn Grant
Open Meadows Grant
1999
Peter Norton Family Foundation Project Grant
Astraea National Lesbian Action Foundation Grant
1998
Art/Omi, International Artists’ Residency, Ghent, New York
Puffin Foundation Grant
1996
National Studio Program at P.S.1/The Institute for Contemporary Art, New York, NY
1994
Art Matters Fellowship
Keyholder Residency, Lower East Side Printshop, New York, NY

Selected Bibliography

2017
Stein, Joshua David and Julia Rothman. "Sketchbook: Drawing the Visitors to the Whitney Biennial," The New Yorker, June 5, 2017. Web.
Swartz, Anne. “The Multifarious Feminism of the Whitney Biennial,” Hyperallergic, online, May 12, 2017.
Fateman, Johanna. “Rights and Privileges,” Artforum, vol. 55, No. 9, May 2017.
Peña, Arthur. “Dallas Art Fair 2017,” New American Paintings, online, April 15, 2017.
Strong, Lester. “Authentic Voice,” a&u, April 2017, pp. 28-31.
Ebony, David. “Beauty and the Bologna: The 2017 Whitney Biennial,” Yale Books Unbound, online, April 5, 2017.
Smith, Roberta. “Why the Whitney’s Humanist, Pro-Diversity Biennial Is a Revelation,”
The New York Times, March 16, 2017, online,
Russeth, Andrew. “The 2017 Whitney Biennial Is a Moving, Forward-Looking Tour de Force—a Triumph," Artnews, online, March 14, 2017.
Sutton, Benjamin. "An Omnivorous Tour of the 2017 Whitney Biennial," Hyperallergic, online, March 13, 2017.
Latham, Tori. “See a New Tiffany & Co. Pendant in Collaboration With the Whitney Biennial,” The Cut, online, March 9, 2017.
Mendelsohn, Meredith. “The Whitney Biennial’s Downtown Debut,” Sotheby’s Magazine, online, March 8, 2017.
Farago, Jason. “A User’s Guide to the Whitney Biennial,” The New York Times, online, March 8, 2017.
“A Whitney Biennial on Fifth Avenue? Tiffany & Co. to Host Provocative Artist Collaborations in Its Fabled Windows,” artnet news, online, February 21, 2017.
2016
Pogrebin, Robin. “Here Comes the Whitney Biennial, Reflecting the Tumult of the Times,” The New York Times, online, November 17, 2016.
The Humanism of Abstraction, Exh. cat. New York, NY: The Gallery at Industry (cover image).
Haynes, Clarity. “Sounding The New. Carrie Moyer: Sirens,” The Brooklyn Rail, April 6,2016.
Schwendener, Martha, “Review: Carrie Moyer’s Conflagration of Canvases,” The New York Times, p. C20, March 25, 2016.
Phong, Bui, “Carrie Moyer: Sirens,” The Brooklyn Rail, online, March 4, 2016.
Fateman, Johanna, “Critic’s Pick: Carrie Moyer,” Artforum, online. March 4, 2016.
Bradford, Phoebe, V., “Carrie Moyer: Sirens,” Phoebe V. Bradford, online. March, 2016.
Kaiser-Schatzlein, Rob, “Interview: Carrie Moyer in Long Island City,” Two Coats of Paint, online. February 28, 2016.
The New Yorker, February 22, 2016.
Samet, Jennifer, “Beer with a Painter: Carrie Moyer,” Hyperallergic, online. February 20, 2016.
Laster, Paul, “10 Things to do in New York’s Art World Before February 19,”
Observer, online. February 15, 2016.
Morgan, Tiernan, “Brooklyn Museum’s Activist Art Show Is a Messy Collison of Curation and Politics,” Hyperallergic, online. February 10, 2016.
Puelo, Risa, “ ‘Agitprop!’ at the Brooklyn Museum: Waves of Dissent, Legacies of Change,” Art in America, online. January 15, 2016.
Siegel, Katy. “Between Suggestive Form and Gesture,” Carrie Moyer: Sirens, Exh. cat. New York, NY: DC Moore Gallery.
2015
Buskirk, Martha. “Subversive Color at the Rose Art Museum,” Hyperallergic, May 30, 2015.
Einspruch, Franklin. “Fuse Visual Arts Review: ‘Pretty Raw’ at the Rose Art Museum,” The Arts Fuse, March 8, 2015.
Hirsch, Faye. “New Editions 2014: Carrie Moyer,” Art in Print, March/April, 2015.
McQuaid, Cate. “Frankenthaler’s art prompts new take on history at the Rose,” The Boston Globe, January 15, 2015.
“Multiverse: DC Moore Gallery in New York City opens group show in its project gallery,” ArtDaily.org, June 22, 2015.
Neal, Patrick. “Rough Collage and Finished Works Cut from the Same Cloth,” Hyperallergic, January 30, 2015.
Puleo, Rise. “New Territories of Queer Separatism,” artpapers, March/April, 2015.
Siegel, Katy. Ed. The heroine Paint After Frankenthaler, New York, NY: Gagosian Gallery.
Smee, Sebastian. “Raw power at Rose Art Museum,” The Boston Globe, February 19, 2015.
Smith, Roberta. “Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence on the Art World,” The New York Times, June 4, 2015.
2014
Jeffcoat, Yves. “Identity Concealed in Paint: Carrie Moyer at SCAD Museum,” BURNAWAY, August 19, 2014.
Neal, Patrick. “Contemporary Fresco That’s Off the Wall,” Hyperallergic, November 10, 2014.
Schwendener, Martha. “‘A Way of Living: The Art of Willem de Kooning,’ by Judith Zilczer,” The New York Times, December 5, 2014.
Stather, Martin, Lutz Hieber, and Gisela Theising. Art and Activism in New York: Sammlungen Hieber/Theising, Exh. cat. Mannheim, Germany: Mannheimmer Kunstverein.
Tigges, Jesse. “‘Carrie Moyer: Pirate Jenny’ Swirls and Seduces,” Columbus Alive, February 6, 2014.
2013
Berry, Ian. Carrie Moyer: Pirate Jenny, Exh. cat. Saratoga Springs, NY: The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College.
Karmel, Pepe, “The Golden Age of Abstraction: Right Now,” ARTnews, April, 2013.
Maine, Stephen, and Tyler Emerson-Dorsch, Pour, Exh. cat. Boca Raton, FL: Florida Atlantic University.
Smith, Roberta. “Art, a Balm After the Storm,” The New York Times, December 6, 2013.
2012
Buszek, Maria Elena. “Eros and Thanatos: Surrealism’s Legacy in Contemporary Feminist Art,” In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States. Ilene Susan Fort, Tere Arcq, and Teri Geis, eds. Los Angeles, CA: Los Angeles County Museum of Art and New York: Delmonico Books/Prestel Verlag.
McQuaid, Cate. “Moyer’s Arts of Seduction,” The Boston Globe.
Parrish, Sarah. “Carrie Moyer, Worcester, MA,” Art Papers, May/June, 2012.
“Pouring It On,” Worcester Mag, February 22, 2012.
Stoops, Susan. Carrie Moyer: Intersteller, Exh. cat. Worcester, MA: Worcester Art Museum, May, 2012.
Von Arbin Ahlander, Astri. “Carrie Moyer: Interview,” the Days of Yore, April 9, 2012.
2011
Bui, Phong. “In Conversation: Carrie Moyer with Phong Bui,” The Brooklyn Rail, September, 2011.
Cameron, Dan. “Roving Eye: Dan Cameron’s Week in Review,” Art in America, March 4, 2011.
Carrie Moyer. The New Yorker, October 7, 2011.
Coates, Jennifer. Review: Carrie Moyer, “Canonical,” Time Out New York, September 27, 2011.
Haber, John. “Carrie Moyer, Ronnie Landfield, and Abstraction,” HaberArts.com.
Keeting, Zachary and Christopher Joy. “Carrie Moyer at CANADA,” Video Interview, Gorky’s Granddaughter, September 29, 2011.
Lowenstein, Drew. “From Cherry Bomb to Cherry Blossom: Carrie Moyer at CANADA,” ArtCritical.com, October 2, 2011.
Maine, Stephen. “Carrie Moyer: CANADA,” Artillery: Killer Text on Art, Vol. 6, Issue 2, Nov/Dec, 2011.
Peetz, John Arthur. “Critic’s Picks: Carrie Moyer,” Artforum, October, 2011.
Princenthal, Nancy. “The Jewel Thief: The Frances Young Tang Teaching Museum and Art Gallery,” Art in America, January, 2011.
Schambelan, Elizabeth. “Carrie Moyer, CANADA,” Artforum, December, 2011.
Smith, Roberta. “Free-for-All Spirit Breezes into Art Fair,” The New York Times, March 4, 2011.
Stillman, Steel. “Carrie Moyer in the Studio,” Art in America, September, pp. 120-127.
Sutphin, Eric. “The Belladonna Treatment,” Beard & Brush: Critical Dialogs in Painting, September 28, 2011.
2010
Butler, Cornelia and Alexandra Schwartz, eds. Modern Women: Women Artists in the Museum of Modern Art, New York, NY: Museum of Modern Art.
McPhee, Josh. Celebrate People’s History: The Poster Book of Resistance and Revolution. New York, NY: The Feminist Press at the City University of New York.
Jaskey, Jenny. “Vivid: Female Currents in Painting. Schroeder Romero & Shredder,” Art Lies, Issue 67.
Smith, Roberta. “Varieties of Abstraction,” The New York Times, August 5, 2010.
2009
Carlin, TJ. “Carrie Moyer: Arcana,” Time Out New York, May 21-27, 2009.
“Carrie Moyer,” The New Yorker, June 1, 2009.
Kley, Elizabeth. “Gotham Art and Theatre,” ArtNet, May 20, 2009.
Mueller, Stephen. "Carrie Moyer at CANADA," Art in America, October, 2009.
Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. London, United Kingdom: Phaidon Press Ltd.
Rosenberg, Karen. “Carrie Moyer: Arcana,” The New York Times, May 15, 2009.
Schwendener, Martha. “Introducing Heide Hatry, William Lamson and Carrie Moyer: Three New York City artists you probably don’t know, but should,” Village Voice, July 20.
2008
“Freeze Frame,” Time Out New York, January 24-30.
Kushner, Marilyn S. The Future Must Be Sweet: Lower East Side Printshop Celebrates 40 Years, Exh. cat. New York, NY: International Print Center New York.
Nickas, Bob, “Best of 2008: Abstract Painting,” Artforum, December, 2008.
Olson, Craig. “Freeze Frame: Thrust Projects, January 11 – February 24, 2008,” Th Brooklyn Rail, March, 2008.
2007
Baker, Kenneth. “Women’s Art at Mills Mixes Defiance, Humor,” The San Francisco Chronicle, October 20, 2007.
Bryan-Wilson, Julia. “Review: Carrie Moyer,” Artforum, April, 2007.
“Carrie Moyer,” The New Yorker, February 12, 2007.
Fry, Naomi. “Critics Picks: Carrie Moyer,” Artforum, January, 2007.
Goodbody, Bridget L. “Late Liberties,” The New York Times, August 3, 2007.
Hirsch, Faye. “Carrie Moyer at CANADA,” Art in America, June, 2007.
Holliday, Frank. “Abstraction Reconsidered,” Gay City News, July 26, 2007.
“Late Liberties,” The New Yorker, August 20, 2007.
Kazakina, Katya. “Beer Show, Trendy Puppies, Glitter Pieces: Chelsea Galleries,” Bloomberg.com, August 22.
Maine, Stephen. “Addressing Liberty Without Literality,” The New York Sun, August 2, 2007.
Mueller, Stephen. “Lesbian Cubism,” Gay City News, January 18, 2007.
Robinson, Walter. “Weekend Update,” ArtNet, January 22, 2007.
Smith, Roberta. “Carrie Moyer: The Stone Age, New Paintings,” The New York Times, February 2, 2007.
2006
Barliant, Claire. “Critics Picks: ‘Do You Think I’m Disco’,” Artforum, February, 2006.
Cotter, Holland. “Do You Think I’m Disco,” The New York Times, February 3, 2006.
Daderko, Dean, “A Mirrorball to Liberation,” Gay City News, January 26-February 1, 2006.
Genocchio, Benjamin. “Exploring the Effects of Disco’s Beat,” The New York Times, February 19, 2006.
McQuaid, Cate. “Radiating Color,” The Boston Globe, February 23, 2006.
Ripo, Marisa. “Ridykeulous Gets Serious,” NY Arts Magazine, July/August, 2006.
Smyth, Cherry. “Review: Carrie Moyer and Diana Puntar,” Modern Painters, May, 2006.
2005
EV+A 2005, Exh. cat., Limerick, Ireland: Limerick City Gallery.
Levi Strauss, David, and Daniel Joseph Martinez. “Teaching After the End,” Art Journal, Vol. 64, no. 3, Fall, 2005.
Rush, Michael, and Dominique Nahas. Two Women: Carrie Moyer and Sheila Pepe, Exh. cat. Lakeworth, FL: Palm Beach Institute of Contemporary Art.
Smith, Roberta. “New York’s Finest,” Weekend Section, Art Guide, The New York Times, February 11, 2005.
“The Second Annual New Prints Review,” Art On Paper, Vol. 10, no. 2, November/December, 2005.
2004
Barnett, Kari. “Summer Exhibition Opens at PBICA,” Lake Worth Forum, June 29, 2004.
Bischoff, Dan. “Aljira’s Emerge 2003 Presents Amazing Examples of Technique,” The Sunday Star-Ledger, August 15, 2004.
Feinstein, Roni. “Carrie Moyer and Sheila Pepe at the Palm Beach ICA,” Art in America, December, 2004.
Feinstein, Roni. “Exhibit Highlights ‘Two Women’ on Different Paths,” The South Florida Sun-Sentinel, August 11, 2004.
Genocchio, Benjamin. “Young and Provacative, Time Is on Their Side,” The New York Times, September 12, 2004
Greenfield, Beth. “Designs on You,” Time Out New York, September 23-30, 2004.
Halden, Loann. “Art, Activism and Intimacy,” TWN: The Weekly News, July 8, 2004.
Holliday, Frank. “ A Partnership of Ideals,” Gay City News, August 5-11, 2004.
Joy, Jenn. “Two Women: Carrie Moyer and Sheila Pepe,” Contemporary, Issue 68.
McQuiston, Liz. Graphic Agitation 2: Social and Political Graphics in the Digital Age, London: Phaidon.
“Palm Beach Institute of Contemporary Art,” Citylink, June 30 – July 6, 2004.
Schwan, Gary. “Diverse Offereings of ‘Two Women’,” The Palm Beach Post, June 20, 2004.
Schwan, Gary. “Body of Works Reflects Artist’s Care for Their Craft,” The Palm Beach Post, July 4, 2004.
Sheffield, Skip. “Two Women Artists, Three Small Deaths,” The Boca Raton/Delray Beach News, June 25-July 1, 2004.
Sjostrom, Jan. “Two-Woman Show Depicts Hands-On Art,” The Palm Beach Daily News, July 18-21, 2004.
Smith, Roberta. “Republican Like Me,” The New York Times, September 10, 2004.
Smith, Roberta. “Caution: Angry Artists at Work,” The New York Times, August 27, 2004.
Timeless/Timeliness, Exh. cat. Newark, NJ: Aljira Contemporary Arts Center.
“Tom Johnson/Carrie Moyer,” The New Yorker, January 12.
Turner, Elisa. “A Nuanced Past is Transformed into the Present,” The Miami Herald, August 18, 2004.
Yee, Ivette. “The Female Perspective,” The South Florida Sun-Sentinel, July 15, 2004.
2003
Costello, Devon, and Esme Wantanabe. “Ameri©an Dre@m,” NY Arts Magazine, March 24, 2003.
Levin, Kim. “Art Listings: Carrie Moyer,” Village Voice, January 1-7, 2003.
Levin, Kim. “Art Listings: Ameri©an Dre@m,” Village Voice, March 19-25, 2003.
McQuaid, Cate. “Adventures in Abstraction’ at Judy Goldman Fine Art,” The Boston Globe, June 13, 2003.
Rubinstein, Raphael. “8 Painters: New Work,” Art in America, November.
2002
Cotter, Holland. “Unjustified,” The New York Times, March 1, 2002.
Grubb, R.J. “Love, Peace & Work by Carrie Moyer” Baywindows, February 5, 2002.
Hopkins, Randi. “Stealing Beauty: Fashion, Photography, and Painting,” The Boston Phoenix, January 5, 2002.
McQuaid, Cate. “Revolution, Utopia and Other ’60s Dreamscapes,” The Boston Globe, January 26, 2002.
Parcellin, Paul. “Art Around Town: Carrie Moyer,” Retro-Rocket.com, February, 2002.
Strong, Lester. ”OUT 100: the Year’s Most Intriguing Gay People,” Out, December, 2002.
Unjustified, Exh. brochure. New York, NY: Apexart.
Yablonsky, Linda. “Unjustified: Apex Art,” Time Out New York, February 14-21, 2002.
2001
Atkins, Robert. Straight to Hell: 10 Years of Dyke Action Machine!, Exh. cat. San Francisco, CA: Yerba Buena Center for the Arts.
Atkins, Robert. “Girls With Wheatpaste and Webspace,” The Media Channel, May, 2001.
Blake, Nayland. Stand Up Dick and Jane, Exh. cat. Dublin, Ireland: Project Arts Centre.
Clark, Emilie, and Lytle Shaw, eds. Shark, Issue 3, Winter, 2001.
Cvetkovich, Ann. “Fierce Pussies and Lesbian Avengers,” Feminist Consequences: Theory for the New Century, Elisabeth Bronfen and Misha Kavka, eds. New York, NY: Columbia University Press.
Dunne, Aiden. “Taking Art to the Edges of Life and Death,” The Irish Times, July 4, 2001.
Nahas, Dominique. “Carrie Moyer at Debs & Co.,” Art in America, April, 2001.
Ruane, Medb. “Outer Limits,” Culture Ireland, The Sunday Times, July 15. “Smile,” The New Yorker, June 18 & 25, 2001.
2000
Cotter, Holland. “Innovators Burst Onstage One (Ka-pow!) at a Time,” The New York Times, November 10, 2000.
Delaney, Anngel. “For Art’s Sake,” The New York Blade, September 29, 2000.
Delaney, Anngel. “Radical Re-visionary,” The New York Blade, September 8, 2000.
Hammond, Harmony. Lesbian Art in America: A Contemporary History, New York, NY: Rizzoli.
McCarthy, Joan E. “The Gallery @ Green Street: Close to You,” Art New England, December/January, 2000.
Robinson, Walter. “Weekend Update,” ArtNet, October 21, 2000.
Simpson, Les. “Tripping Down Memory Lane,” Time Out New York, October 12, 2000.
Teckel, Augustina. “D.A.M. Muffiosi,” (Not Only) One.
1999
Becker, Jochen. “Gegenöffentlichkeit hinter Glas,” Die Tageszeitung, June 26, 1999.
Becker, Jochen. “Unbehagen der Geschlechter,” Kunstforum International, September-November, 1999.
“Frauen & Gestaltung: Der Kleine Unterschied,” Page, December, 1999.
Glanz, Alexandra. “Das gesammelte Unbehagen,” Hannoversche Allgemein Zeitung, May 26, 1999.
Haynes, Esther. “They’re Not Sisters,” Jane, December, 1999.
Miya-Jervis, Lisa. “Profile: Dyke Action Machine!,” Bitch, Summer, 1999.
Reusch, Wera. “I want a dyke for president,” Köln StadtRevue, July, 1999.
Sherman, Mary. “Familiarity Breeds Content in Shows by Friends, Family,” The Boston Herald, October 10, 1999.
Siffrin-Peters, Annette. “Vom Unbehagen der Geschlechter,” Aachener Nachrichten, May 31, 1999.
Tietenberg, Annette. “Überraschung in der Mittagspause,” Frankfurter Allgemeine Zeitung, June 21, 1999.
“Unbehagen der Geschlechter im Neuen Aachener Kunstverein,” Kunst-Bulletin, July/August, 1999.
1998
Che, Cathay. “DAM! Sell in Distress,” Time Out New York, July, 1998.
Gangitano, Lia, and Eileen Myles. Message to Pretty, Exh. cat. New York, NY: Thread Waxing Space.
Loos, Tod. “Lesbian Poster Girls,” The Advocate, December 22m, 1998.
Rand, Erica. “Troubling Customs,” New Art Examiner, Summer, 1998.
Schlesinger, Toni, and Guy Trebay. “Alphabet City,” The Village Voice, December, 1998.
1997
Cottinghamm, Laura, Frainçoise Collin, and Armelle Leturcq. Vraiment: Féminisme et Art, Le Magasin, Exh. cat. Grenoble, France: Magasin.
Joselit, David. “Exhibiting Gender,” Art In America, January, 1997.
McQuiston, Liz. Suffragettes to She-Devils: Women’s Liberation and Beyond, London, United Kingdom: Phaidon Press.
Revolution Girl-Style, Exh. cat. Vienna, Austria: Messepalast/Museumsquartier.
1996
Hannaham, James. “Best of the Net: Dyke TV…,” Village Voice, October, 1996.
Harris, Elise. “Agit Pop,” Out, July 1996 Ingram, Gordon Brent. “In Search of Queer Space on the Internet,” Border/Lines, Fall, 1996.
Lippy, Tod. “Dial Tone,” Print VI.
Lupton, Ellen. Mixing Messages: Graphic Design in Contemporary Culture, Exh.cat. New York, NY: Princeton Architectural Press and Cooper-Hewitt National
Design Museum, Smithsonian Institution.
Smyth, Cherry. Damn Fine Art by New Lesbian Artists, London: Cassell.
Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-Orientations in Film and Video, New York, NY: Columbia University Press.
Tompkins, Betty and Robert Witz, eds. Appearances, No. 23, Summer, 1996.
Turner, Kay. Dear Sappho: Lesbian Love Letters, Past and Present, London: Thames & Hudson.
1995
Blake, Nayland, Lawrence Rinder, and Amy Scholder, eds. In A Different Light: Visual Culture, Sexual Identity, Queer Practice, Exh. cat. San Francisco: City Lights Books.
Deitcher, David, ed. A Question Of Equality: Gay Politics In America Since Stonewall, New York: Scribner.
“News From the Loop: Dyke Action Machine…,” Flash Art, Summer, 1995.
Osman, Jena, and Juliana Spahr, eds. “Documentary,” Chain #2
Shapiro, Carolyn. “Directed Action,” High Performance, Summer, 1995.
1994
Atkins, Robert. “Scene & Heard,” Village Voice, July, 1994.
Schorr, Collier. “Poster Girls,” Artforum, October, 1994

Public Collections

The Birmingham Museum of Art, AL
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI Everson Museum of Art, Syracuse, NY
The Joel and Lila Harnett Museum of Art, University of Richmond, VA
The Metropolitan Museum of Art, New York, NY
The Pizzuti Collection, Columbus, OH
Rose Art Museum, Brandeis University, Waltham, MA
The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
Worcester Art Museum, MA