Veronica Fernandez’s figurative paintings depict vivid characters and dramatic environments give way to mood, duration, and residue of memory. While her works begin with elements of autobiography, Fernandez resists overly specific realism. Her subject matter recalls the Ashcan School, an American artistic “movement” of the late 19th and early 20th centuries, unified by the desire to tell certain truths about modern life in urban New York City’s poorer neighborhoods. Similarly unfettered, Fernandez shines a positive light on her memories, painting toward a youthful vitality. The children and adolescents who occupy a central role in her compositions are playful figures brimming with private sentiment, moving between interior and exterior, where individuals are granted poetry and frankness as she uncovers layers of humanity.
Veronica Fernandez (b. 1998, Norfolk, VA) completed her BFA at The School of Visual Arts in NYC. Recently she has exhibited her solo I Should Have Prayed For Other People, with Pippy Houldsworth Gallery. More recent solo and duo exhibitions include What will you give?, Night Gallery, Los Angeles, CA (2024); I’ll Never Close My Eyes Again, Galleria Poggiali, Milan (2023); When You Hold Onto My Spirit, Will You Let Your Spirit Grow?, Sow & Tailor, Los Angeles, CA (2022); and I Put My Faith In My Temple, Thierry Goldberg, New York, NY (2020). Recent group exhibitions include After Each Night We Are Emptier, Anat Ebgi, (2025); Goddesses, Jeffrey Deitch Gallery, Miami, FL (2022); Hot Concrete, curated by Melanie Ouyang Lum, K11 Musea, Hong Kong (2022); Narrative Minds, Asia Art Centre, Taipei (2022); I Do My Own Stunts, Spazio Amanita, Los Angeles, CA (2022); Visual Unpredictability, Patrick Parrish Gallery, New York, NY (2021); Buscando Recuerdos, Hashimoto Contemporary, New York, NY (2021); and De Lo Mío, Jenkins Johnson Gallery, New York, NY (2020). Fernandez lives and works in Los Angeles, CA.